Showing posts with label Escher. Show all posts
Showing posts with label Escher. Show all posts

Friday, June 27, 2014

Arty Farty Friday ~ Mystery Pic...Escher, Schuiten?

This picture is a mystery and a fantasy - Neptunian then! It's all about buildings and structure though, so in another way it's Saturnian. I found this large (36"x28"), nicely framed print in 2006, in a junk-cum-antique store in a nearby town. It was marked "Unique print, frame and mat alone are worth the asking price". True enough. The print has been tastefully framed and triple matted by someone, who at some time obviously loved and valued this picture. (Image might enlarge if clicked upon - not sure though).


When I first saw the print I was immediately attracted by the light in the window of the building in the foreground, the architecture of the doorway and windows reminded me of a building where I once worked. But the entire fantasy cityscape was and remains a mystery. I've been unable to find any information as to its artist or source. It's a good quality print. I've wondered if it might originally have been part of an even larger illustration, it sometimes gives that impression.

Those hilly structures are reminiscent of Italian hill towns, but there is no hint of vegetation or trees in the picture, and there are just too many buildings to fit that theory. The architecture is definitely European though, but not British. The picture reminds me of some of Escher's early work which depicted Italian landscapes. At right is the first lithograph ever made by M.C. Escher -"Goriano Sicoli, Abruzzi" (1929). Escher's illustrations were, as far as I know, in black and white, or occasionally black with some other colour. I doubt that our picture is a print of an early Escher illustration, but the artist was almost certainly influenced by Escher.

Perhaps my picture illustrated the artist's idea of a city of the future, or from another dimension? Whenever I gaze at it I always come back to the lighted room in the foremost building - perhaps someone in there was dreaming.......

I posted the photo of the picture on my blog in 2007, with request for ideas. Only one comment was received, from Ariana, remarking that, "It feels very Dutch & medieval, out of a fairy tale".... Indeed!

My husband posted a photo of the picture on his Flickr page, asking for ideas. He received the suggestion that it looked like something Francois Schuiten might have created. A flurry of research ensued. It does look like Schuiten's style, in his Les Cités Obscures (literally The Obscure Cities, but initially published in English as Cities of the Fantastic). It is a graphic novel series set on a Counter-Earth, created by Belgian comics artist François Schuiten and his friend, writer Benoît Peeters in the early 1980s. In this fictional world, humans live in independent city-states, each of which has developed a distinct civilization, each characterized by a distinctive architectural style. (From Wikipedia)


I've been unable to trace anything of Schuiten's that is even near to similar to the city in my picture, despite continuing to search over the years since 2006. One would expect, that if it had been produced in large format for framing, then it would be one of his well-known popular images, and would turn up online somewhere. Many of his illustrations contain similar colours and shades to those in my picture, and his drawing style is very similar, even though subject matter differs a lot. It's the nearest we've come to solving the mystery.

If any passing reader recognises the picture or the style, or can add any further information at all, I'd be delighted to hear from them.

UPDATE - Many thanks to commenter "Kidd" for information leading to this discovery:


AND Googling further I found a video with (I think) Jean Pattou himself appearing and taking over at around 3.31 mins.
My schoolgirl French isn't up to following the presentation, but more of the artist's works pop up to the bottom right of the video as the presentation proceeds.

VIDEO

Friday, August 14, 2009

Arty Farty Friday ~ ESCHER

Maurits Cornelis Escher (M.C. Escher): I'm always especially interested to see natal charts with a cluster of planets in one sign. When the chart belongs to an artist, one we know a little about, it's even better. Theoretically, such a chart ought to more clearly indicate sign characteristics of the emphasised sign. While the private side of a personality remains unknown, in the case of an artist his work displays something of his inner self.

M.C. Escher was born on 17 June 1898 in Leeuwarden, Netherlands. Astrodatabank gives his time of birth as 6.55am.



5 planets in Gemini! Mutable Air sign, known as sign of the communicator. All three Air signs (Libra and Aquarius are the others) are mentally focused signs. Whereas Libra's focus is balance and diplomacy, Aquarius is logic and analysis driven, Gemini is the all-purpose communicator, who can turn his head (and in this case hand) to just about anything, as long as it communicates his thoughts to others. And, oh my! Didn't Escher have typical Gemini facial structure and build? Gaunt, long face, wiry body.



Escher's style of art is very mental - or should that be cerebral? His artwork does not come across as emotionally-led. His lithographs and woodcuts are based, in the main, on mathematics, relativity, geometric shapes and patterns, space, symmetry, impossible situations, and tesselation (tiling).

In astrology Saturn rules mathematics, so I would expect to find Saturn hooked up fairly tightly to other personal planets or points in some way. In Escher's case Saturn is conjunct Uranus - these two planets in Sagittarius lie in opposition to Moon, Mercury and Pluto in Gemini, semi-sextile Jupiter in Libra and quincunx Mars in Taurus. So I'd say that Saturn was pretty well anchored in Escher's nature, with both harmony and a touch of scratchiness (from the Saturn/Mars aspect).

Venus, the softer side of artistry lies in Cancer semi-sextile Escher's natal Sun. While this softer side seldom surfaces in his work, it is no doubt part of his "private" personality - that known to his wife and family.

Wikipedia tells us that Escher was a sickly child, and ill health impeded his academic progress in youth. That unfortunate circumstance may have been what turned him to the decorative arts rather than a career in architecture, which he probably would have preferred (that's a guess!)

The work of all artists is subject to copright, of course. I usually feature a few small representations in these posts, to illustrate points, hoping that should the copyright police wander by, they'll accept that the images are used as a kind of educational tool. (Ahem) No money being made here! M.C. Escher's work, whenever featured on websites is always very carefully marked thus (as for instance at Jill Britton's Escher Gallery): "All M.C. Escher works (c)copyright Cordon Art BV - Baarn - the Netherlands. Used by permission. All rights reserved."I'm loath to impinge, yet cannot resist showing just four examples. For more and bigger versions, please do visit the above gallery website.

ANOTHER WORLD



DOUBLE PLANETOID



CONVEX & CONCAVE



BOND OF UNION


Friday, May 18, 2007

ARTY-FARTY FRIDAY #4

(Click on picture for larger version)

The picture is a mystery and a fantasy, so in one way it's Neptunian. It's all about buildings and structure though, so in another way it's Saturnian. Saturn and Neptune have lately moved out of exact opposition, maybe now is an appropriate time to display my acquisition.

I found this large (36"x28"), nicely framed print last year, in a junk-cum-antique shop in a nearby town. It was marked "Unique print, frame and mat alone are worth the asking price". True enough. The print has been tastefully framed and triple matted by someone, who at some time obviously loved and valued this picture, as I do now.

When I first saw the picture I was immediately attracted by the light in the window of the building in the foreground, the architecture of the doorway and windows reminded me of a building where I once worked. But the entire fantasy cityscape is a mystery. I've been unable to find any information as to its artist or source. It's a good quality print, or so I'm told by HeWhoKnows, magnifying glass in hand. I've wondered if it might originally have been part of an even larger illustration, it can give that impression.

Those hilly structures are reminiscent of Italian hill towns, but there is no hint of vegetation or trees in the picture, and there are just too many buildings to fit that theory. The architecture is definitely European though, but not British. The picture reminds me of some of Escher's early work which did depict Italian landscapes. At right is the first lithograph ever made by M.C. Escher -"Goriano Sicoli, Abruzzi" (1929). Image from Herakleidon Those illustrations were, as far as I know, in black and white, or accasionally black with some other colour. I doubt that our picture is a print of an early Escher illustration, but I'd say that the artist was influenced by Escher.

Perhaps the picture illustrated the artist's idea of a city of the future, or a place from another dimension ? Whenever I gaze at it I always come back to the lighted room in the foremost building - perhaps someone in there was dreaming.......

If any passing reader recognises the picture or the style, or can add any information at all, I'd be delighted to hear from them.