Showing posts with label Scott Walker. Show all posts
Showing posts with label Scott Walker. Show all posts

Wednesday, March 27, 2019

Midweek Music ~ Vale Scott Walker !

I felt sad when I read about the recent death of Scott Walker. I pulled out my post, from 2010, about him, and his astrology:

https://twilightstarsong.blogspot.com/2010/11/music-monday-scott-walker-jacques-brel.html

Interesting to note, from his natal chart in that post, that transiting Pluto had been conjunct his natal Capricorn Sun in recent months, and is still only a few degrees away from it. Pluto transits pack a punch! Perhaps more on that topic tomorrow.



Monday, March 11, 2019

Music Monday ~ Unsettling

What is the most unsettling song that you've ever listened to? A question posed some time ago at Quora. I didn't answer it, but pondered on it for a post today, came up with three songs I've always found to be unsettling.


Strange Fruit sung by Billie Holiday.






Wikipedia
Written by teacher Abel Meeropol as a poem and published in 1937, it protested American racism, particularly the lynching of African Americans. Such lynchings had reached a peak in the South at the turn of the century, but continued there and in other regions of the United States. According to the Tuskegee Institute, 1,953 Americans were murdered by lynching, about three quarters of them black. The lyrics are an extended metaphor linking a tree’s fruit with lynching victims. Meeropol set it to music and, with his wife and the singer Laura Duncan, performed it as a protest song in New York City venues in the late 1930s, including Madison Square Garden.

Southern trees bear strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the southern breeze
Strange fruit hanging from the poplar trees

Pastoral scene of the gallant south
The bulging eyes and the twisted mouth
Scent of magnolias, sweet and fresh
Then the sudden smell of burning flesh

Here is fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for the trees to drop
Here is a strange and bitter crop








Farmer in the City written and sung by Scott Walker.




The first song of Scott Walker’s seminal album, Tilt. With a mixture of haunting vocals and orchestral music, Walker chilling envisions Pier Paolo Pasolini’s death. ... "Farmer in the City"
"Farmer in the City", is subtitled "Remembering Pasolini". A few of the lyrics are appropriated from Norman Macafee's English translation of Pier Paolo Pasolini's poem, "Uno dei Tanti Epiloghi" ("One of the Many Epilogs"), which was written in 1969 for Pasolini's friend and protégé, the scruffy young nonprofessional actor, Ninetto Davoli. Throughout the song, Walker's chant of "Do I hear 21, 21, 21...? I'll give you 21, 21, 21...", may be a reference to Davoli's age when he was drafted into (and subsequently deserted from) the Italian army. (Wikipedia)
Lyrics are here:

https://www.azlyrics.com/lyrics/scottwalker/farmerinthecity.html








Pumped up Kicks - Foster the People



The song was written and recorded by fron-tman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth.
The lyrics to "Pumped Up Kicks" are written from the perspective of a troubled and delusional youth with homicidal thoughts. The lines in the chorus warn potential victims to "outrun my gun" and that they "better run, better run, faster than my bullet."

Foster said in a statement to CNN.com, "I wrote 'Pumped Up Kicks' when I began to read about the growing trend in teenage mental illness. I wanted to understand the psychology behind it because it was foreign to me. It was terrifying how mental illness among youth had skyrocketed in the last decade. I was scared to see where the pattern was headed if we didn't start changing the way we were bringing up the next generation." In writing the song, Foster wanted to "get inside the head of an isolated, psychotic kid" and "bring awareness" to the issue of gun violence among youth, which he feels is an epidemic perpetuated by "lack of family, lack of love, and isolation " The song's title refers to shoes that the narrator's peers wear as a status symbol.
The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999.

The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999. (Wikipedia)

Robert's got a quick hand
He'll look around the room, he won't tell you his plan
He's got a rolled cigarette, hanging out his mouth he's a cowboy kid
Yeah found a six shooter gun
In his dad's closet hidden oh in a box of fun things, I don't even know what
But he's coming for you, yeah he's coming for you

All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet
All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet

Daddy works a long day
He be coming home late, he's coming home late
And he's bringing me a surprise
'Cause dinner's in the kitchen and it's packed in ice
I've waited for a long time
Yeah the slight of my hand is now a quick pull trigger
I reason with my cigarette
And say your hair's on fire, you must have lost your wits, yeah

All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet
All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet

All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet
All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet

All the other kids with the pumped up kicks
You'd better run, better run, out run my gun
All the other kids with the pumped up kicks
You'd better run, better run, faster than my bullet


Songwriter: Mark Foster.

Monday, July 16, 2018

Music Monday ~ The Poetry of It

Country music may be an acquired taste, I know that it is viewed with a certain disdain by some so-called liberals in the USA, perhaps due to the genre's connection to a perceived (rightly or wrongly) right-wing political flavour. I'm not a 'liberal', I suppose my label, if I must have a label, would be 'lefty', but I've loved country music from my first introduction to it in the late 1990s, back in Europe - not in the UK, but in the Canary Islands. There, of course, country music didn't have the taint of politics attached, so I experienced it clean and unadulterated.

What brought on that rantette? Well, I caught a few bars of a well-loved country song the other day, hadn't heard it for years. It struck me, once again, that there's a lot of poetry embedded in country lyrics! Rodney Crowell's lovely words in "'Til I Can Gain Control Again" are what inspired this post.


Just like the sun over the mountain top
You know I'll always come again
You know I love to spend my morning time
Like sunlight dancing on your skin

I've never gone so wrong as to telling lies to you
What you've seen is what I've been
There is nothing I could hide from you
You see me better than I can

Out on the road that lies before me now
There are some turns where I will spin
I only hope that you can hold me now
Till I can gain control again

Like a lighthouse you must stand alone
Landmark the sailor's journeys end
No matter what sea I've have been sailing on
I'll always roll this way again

Out on the road that lies before me now
There are some turns where I will spin
I only hope that you can hold me now
Till I can gain control again


Songwriter: Rodney J. Crowell.


The song has been recorded by numerous artists, as well as by its writer; best known recordings are by Emmy Lou Harris and Willy Nelson. Just for a change though, I enjoy hearing the Walker Brothers' cover version, I've always loved Scott Walker's voice:




Here's Emmy Lou's classic version:



Friday, June 21, 2013

Summer Solstice ~ Hopper's and Vettriano's Summers

Today: Summer Solstice in the northern hemisphere, while winter begins in the southern half of the globe.

Oklahoma summers are not my cup o' tea by a long chalk. Why? The extreme heat, the insect bites, the allergies..... so excuse me if I don't celebrate with wild enthusiasm. To mark the day, though, I'll pull out half a dozen depictions of summer by a couple of favouite painters of mine. These two don't paint leafy glades and gardens filled with flowers, instead their summers are urbane in flavour rather than rural.....It comes as a surprise that I find a more evocative sense of summer in these works than from any rural or floral scene, even those painted by the best of the best. My two chosen painters: Edward Hopper and Jack Vettriano, the former is a well-loved American artist, the latter artist is sometimes - always even - derided by critics, but that only endears him to me the more!

There are archived posts on both artists with notes about their astrology HERE
and HERE.


Edward Hopper's summer ~~







Jack Vettriano's summer ~~





And a matching track: The Summer Knows - theme from the 1971 movie The Summer of '42. It was composed by multiple Oscar and Grammy Award winner, French composer Michel Legrand, with lyrics by Marilyn and Alan Bergman, sung here by Scott Walker, whose rendition has just the right "feel" to it to blend with these paintings.


Or...if a female vocalist is preferred, it'd be hard to top Ms Streisand's version -nice video with this one too:


Thursday, February 23, 2012

Pisces x 3 ~ Pier Paolo Pasolini

Scooting around YouTube one day I happened upon Farmer in the City from Scott Walker's 1995 album Tilt. I listened.... listened again, and again..... throughout the day and next day. It's weird but addictive, and beautifully rendered by Scott Walker.

Being a curious so-and-so I wanted to know what the song was all about. It wasn't difficult to find out, especially as the song is sub-titled Remembering Pasolini. It is a tribute to Pier Paolo Pasolini, whose name I'd heard, in connection with movies, but without knowing anything about him.

I discovered that he had Sun, Venus and Uranus in Pisces - so, with Sun, Mercury, Moon and Neptune in Pisces as I type, and remembering that Neptune and Pisces connect to film, now would be a good time for a post about him.

Astrodatabank and Wikipedia help with detail:

Wikipedia:
A few of the lyrics (of Farmer in the city) are appropriated from Norman Macafee's English translation of Pier Paolo Pasolini's poem, "Uno dei Tanti Epiloghi" ("One of the Many Epilogs"), which was written in 1969 for Pasolini's friend and protégé, the scruffy young nonprofessional actor, Ninetto Davoli. Throughout the song, Walker's chant of "Do I hear 21, 21, 21...? I'll give you 21, 21, 21...", may be a reference to Davoli's age when he was drafted into (and subsequently deserted from) the Italian army.


Astrodatabank
On Pasolini: "Italian actor and director of radical films, best known for controversial films about people in conflict with the mainstream society. A virtual Renaissance man who was "poet, novelist, scholar, film critic and theorist, reforming zealot and creator of large scaled visual spectaculars," he wrote and produced "Boys," and "Sebastian." Poetic and literate, a Marxist yet bourgeois in his efforts to be socially correct, he died under circumstances as perverted as those seen in some of his films. ..............His unorthodox views led to his arrest in 1962 on charges of insulting the church in his film "Rogopag." He clashed frequently with Italian authorities over the content of his films, which held liberal doses of sex, violence and blasphemy, at times being declared obscene...... His own death could have been scripted into one of his features. Pasolini was bludgeoned to death by a 17-year-old youth who claimed that he had made homosexual advances, 11/01/1975, 11:30 PM, Civitavecchia, Italy. The boy then ran him over (several times) with Pasolini's own Alfa Romeo."

With data from Astrodatabank, Pasolini's natal chart:



Astrological indications of Pasolini's non-conformist ways are not hard to find. Eccentric Uranus on the ascendant is a classic sign. In Pasolini's case Uranus conjoins his natal Sun to. Double whammy - in imaginative and potentially addictive Pisces, ruled by Neptune! Mercury, the communcations planet, is in Aquarius - sign of Uranus' rulership, which adds another layer of avant garde non-conformism. This guy was what used to be known as an "enfant terrible"!

Pluto (darkness, death, intensity) in Cancer is in harmonious trine to his ascending degree and those first-house Pisces planets....here's source of the dark side of his eccentricities - and what likely is a reflection of the dreadful manner of his death.

I took a look at the chart for the date of his murder, 1 November 1975 and noted that Pluto then lay at 10 degrees of Libra - exactly conjoining Pasolini's North Node of the Moon, also conjunct Saturn and Jupiter which lay on either side of the node.

It's not too surprising that Scott Walker felt drawn to sing about Pasolini. Walker's chart is shown in the post for Monday 9 January. There's some common emphasis. Both men have Mercury in Aquarius (10 degrees apart), both have Mars in Sagittarius (10 degrees apart). Walker's Moon and midheaven conjoin Pasolini's Uranus/Sun/Venus cluster in Pisces.


Monday, January 09, 2012

Music Monday ~~ 4 Born on 9 January

9 January, through the years, seems to have been a propitious day for the birth of singers and musicians. Wikipedia's details of births for this day has more musically inclined people than I usually notice. Some names are familiar, some not universally well-known. I've picked four from the many; four for whom Astrodatabank has times of birth. It could be interesting to compare the charts, because initially one might not expect a glut of musical talent to be aligned with Sun in Capricorn.

Natal charts, with data from Astrodatabank are shown later and together, for ease of comparison.

In date order:


Born 9 January in 1928, a name possibly unfamiliar to anyone not "of a certain age" : Domenico Modugno, Italian singer and songwriter of the late 1950s and 1960s who co-wrote, sang and had a huge hit with Volare ("nel blu dipinto di blu"). His rendition of Piove (Ciao Ciao Bambina) is still, for me, the definitive. I shed many a tear over it back in my Italian-tinged youth. Later in life Modugno got into Italian politics, by the way.



Piove
(sniffle!). It was Italy's entry in the Eurovison Song Contest, 1959.










Born 9 January 1941 ~ Joan Baez - surely familiar to all - almost iconic in fact: American folk singer , recorded over 30 albums; songwriter, musician and human rights activist, campaigner for peace.


Here she is, not a protest song this time, but with Bob Dylan's Forever Young - still sounding great!







Born 9 January 1943: Scott Walker, American lead guitarist, singer, keyboarder and composer, member of the Walker Brothers trio. 1960s and 70s hits included My Ship Is Coming In, The Sun Ain’t Gonna Shine Anymore, No Regrets. His songs were often filled with melancholy. Scott Walker is the most under-appreciated singer of the 20th century. He has sung straight-ahead pop, wonderful renditions of works from The Great American Song Book which compare admirably with any of the biggest name vocalists; superb versions of movie theme songs, interpretations of Jacques Brel's songs- very difficult to do I'd guess; and many self-penned songs, poetry filled with angst but showing off that creamy smooth voice, instantly recognisable as Scott Walker. Yep, after a trawl through YouTube - I'm a fan -all over again! (PS: Bingo! His Mercury and Venus conjoin my natal Sun!)

Singing his favourite Jacques Brel song Alone









Born 9 January 1944:
Jimmy Page, English multi-instrumentalist, songwriter, and record producer, member of The Yardbirds band from 1966 to 1968, later founded the English rock band Led Zeppelin.One of the most influential guitarists and songwriters in rock music.

Jimmy Page with Robert Plant ~ Since I've Been Loving You









THE CHARTS









General similarities:

All four have a Capricorn Sun, of course, which indicates a certain serious, common sense attitude to things in general, including business matters - which, though not an essential part of the musical arts, has to be a help in ensuring some level of worldly success.

3 of the 4 charts have Sun/Mercury conjoined = powerful drive to communicate.

3 of the 4 have Venus (the art and music planet) in Sagittarius. Sagittarius is Jupitarian in character and expansive; we could interpret Venus in Sagittarius, then as indicating a powerful draw towards some sphere of the arts.

(Odd one out in both cases = Scott Walker, who has Venus/Mercury conjoined in Aquarius.)

Other than the above, key to Domenico Modugno's chart, I'd say, is a limelight-loving Leo Moon and communicative Gemini rising. His later draw into politics is likely reflected in Saturn's position in Sagittarius, alongside Venus....providing a "second string to his bow".

Important in Joan Baez' chart, are a series of wide-ish harmonious trines: Sun/Mercury trine Moon/Uranus trine Neptune forming a loose Grand Trine in Earth with a slightly Airy overtone. It's that link of rebellious Uranus to her Sun/Mercury that powers her draw towards social activism; the link to Neptune powers creativity.

For Scott Walker, a post from my archives gives more astro information
see http://twilightstarsong.blogspot.com/2010/11/music-monday-scott-walker-jacques-brel.html From that post

What stands out for me: Grand trine in Air signs which he shares with many of his age group (including moi). In Scott's case the generational trine between Neptune and Uranus links to personal planets Mercury and Venus in Aquarius - connecting this Airy circuit of mavericky creativity to art and communication, so it becomes extra- specially relevant in his personality and in his music.

Sun in Capricorn reflects a serious nature, though not necessarily morbid, or reclusive. To pinpoint that side of Scott's nature we go back to the Grand Trine and note that Saturn lay conjunct Uranus as he was born, and Pluto lay in opposition to Mercury/Venus. The presence of these two potential dampers (Saturn and Pluto) on an otherwise positive configuration explains Scott's early retreat from the spotlight, and his draw to darker, melancholic themes. While Saturn/Uranus conjoined explains how Scott's music can be categorised by the opposing terms "experimental" and "Baroque" (as at Wikipedia). Saturn hooked up to Uranus -the old hooked up to the new!

Watery Pisces Moon and Cancer rising underscore a deeply emotional and sensitive character, which I think can be seen from his young face, and sensed from many of his vocals.


Jimmy Page's Sagittarius Venus is opposed by Uranus and Mars in Gemini - which describes a balancing of Venus's intrinsic artistic beauty with the rebellious, avant garde Uranus and dynamic, aggressive Mars. Sagittarius Venus sextiles creative Neptune in Libra and trines Uranus/Mars in Gemini....superbly configured for a rock musician! Cancer Moon and Scorpio rising add emotional depth.

Tuesday, February 22, 2011

Wisconsin Governor: Scott Walker

I'm interested to see the natal chart of Scott Walker (not the singer - been there done that: here), but Scott Walker the Republican Governor of Wisconsin. His attempt to strip many state workers of their collective bargaining rights has brought about massive peaceful protest and become national and international news during the past week. He won the office of Governor in last year's general election - on his birthday, November 2, defeating the Democratic candidate 52% to 46%.




Scott Walker was born on 2 November 1967 in Colorado Springs, Colorado.



Chart set for noon - time of birth unavailable.

I wasn't surprised to find a clutch of planets in Scorpio. An overdose of this passionate and determined sign in one's natal chart is going to manifest pretty noticeably, one way or another. Sun/Mercury, Neptune and Moon (whatever his birth time) all in Scorpio. And another clutch of planets in meticulous, critical Virgo: Jupiter & Pluto/Venus/Uranus - the last three conjoined. That little lot together is a heck of a combination, could be close on deadly - uncomfortable at best! Wish I knew where the angles fell in his chart, but without time of birth that remains a mystery.

A bit more detail: Sun/Mercury in Scorpio flanked by two helpful sextile aspects - one to Mars at 7 Capricorn, the other to Jupiter at 2 Virgo - there's nothing there to lighten that Scorpio intensity - in fact these sextiles from Mars (energy, aggression) and Jupiter (excess) could add to it!

A Yod (Finger of Fate) in Walker's chart is interesting. It links the sextile between Jupter and Sun/Mercury to Saturn in Aries via two quincunx (150*) aspects.
Saturn, planet of limitation & laws, being at the apex of the Yod acts as conduit for the combined characteristics of the sextiled planets. Being translated this = Excessively intense passionate opinion manifesting via the rule of law & restriction.

Even more interesting, in view of the Yod, is that Jupiter in its current transit, is astrologically conjoining Walker's natal Saturn, even as I type, bringing even more emphasis to the configuration. Uranus, planet of change and the unexpected, will come within a couple of degrees of Walker's natal Saturn in late spring this year. How this will manifest is anybody's guess.

I shall watch and learn! "Interesting" times ahead!



Anyone who harbours anti-union feelings, and I know that many otherwise reasonable people do, and anyone who considers that Governor Walker is doing the right thing would do well to think on these words:

“Although it is true that only about 20 percent of American workers are in unions, that 20 percent sets the standards across the board in salaries, benefits and working conditions. If you are making a decent salary in a non-union company, you owe that to the unions. One thing that corporations do not do is give out money out of the goodness of their hearts.” ~ Molly Ivins.


"........It’s crucial to understand what the regressive initiative that our brothers and sisters in Wisconsin are right now fighting is really all about, and how that fits into the context of our era. This is just the latest, and nearly the last, in a succession of efforts in America over the last three decades to move money from the hands of non-elites to those of oligarchs. Make no mistake, that program constitutes essentially the sum total of American politics at its core over the last generation. All else is a sideshow or, more likely and more ominously, an intentional diversion, just as a skilled magician is careful to give your eye something else to focus on as he moves the ball from under the cup........"
From an excellent essay at http://www.regressiveantidote.net/Articles/Waking_Up_In_Wisconsin.html by Prof. David Michael Green

Monday, November 01, 2010

Music Monday ~ Scott Walker ~ Jacques Brel ~"Cute in a stupid-ass way"

Who remembers Scott Walker, once of The (non-fraternal) Walker Brothers? Perhaps he's better known in the UK than in his native USA. My husband, who has usually heard of even the most obscure artists from the 1960s, doesn't recall this one, who is (or was) a household name in Britain.

Scott Walker, real name Scott Engel, is US-born, to German parents. His sensibilities do seem to be more in tune with those on the other side of the Atlantic. Much of his career, and all of his successes have been in Britain and Europe. He has lived in the UK for more than 40 years.








I remember him, and his gorgeous voice, very well.

Although he is of the same generation as the Beatles and Rolling Stones, and was in at the start of the whole rock and roll shindig, as well as the crazy psychedelic period, he seems never to have been bitten by either bug. He remained aloof from it all, following Thoreau's famous advice: If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. Scott Walker seemed more like a throw-back to past decades, more akin to Sinatra, Jack Jones and other crooners than to his contemporary rockers.....yet he was different, even from the standard crooners.
He heard the sound of Belgian singer-songwriter Jacques Brel (right) early on, and was smitten.

In his "Brel-period" he recorded English translations of some of Brel's best songs, making them far more accessible to the English ear, and for me, doing a better job than the songs' originator. (I should run and hide from Brel fans for saying so.) To listen to Jacques Brel singing, for any length of time, I'd need to be in a dimly-lit, sleazy Paris bar... and "feeling no pain".

Most of Scott's albums indicate that he has been drawn to some rather odd and depressing subject matter, concentrating heavily on the darker side of life, and death. Melancholia and gloom pervade his atmosphere, yet still it's not unpleasant, in a cry-in-your-beer kind of way. His smooth voice WAS very moorish.

After British successes with The Walker Brothers and some solo success, life in the spotlight became too much for Scott. He found relief in a monastery at one point, later remaining a virtual recluse for many years. He re-appeared in the mid 1990s with some even odder material than before (detailed in Wikipedia's page), upon which I'll not linger, other than to note that his three most recent albums, Climate of the Hunter; Tilt; and Drift have been categorised as "art rock, experimental or Baroque pop". In 2006 a documentary film Scott Walker: 30 Century Man premiered.



My best memory of Scott Walker will always be his English version of Brel's Jackie (video below).



Does his natal chart indicate his somewhat enigmatic nature, his taste for the morbid, or downright strange, in music? Is there an astrological link to Jacques Brel perhaps?



What stands out for me: Grand trine in Air signs which he shares with many of his age group (including moi). In Scott's case the generational trine between Neptune and Uranus links to personal planets Mercury and Venus in Aquarius - connecting this Airy circuit of mavericky creativity to art and communication, so it becomes extra- specially relevant in his personality and in his music.

Sun in Capricorn reflects a serious nature, though not necessarily morbid, or reclusive. To pinpoint that side of Scott's nature we go back to the Grand Trine and note that Saturn lay conjunct Uranus as he was born, and Pluto lay in opposition to Mercury/Venus. The presence of these two potential dampers (Saturn and Pluto) on an otherwise positive configuration explains Scott's early retreat from the spotlight, and his draw to darker, melancholic themes. While Saturn/Uranus conjoined explains how Scott's music can be categorised by the opposing terms "experimental" and "Baroque" (as at Wikipedia). Saturn hooked up to Uranus -the old hooked up to the new!

Watery Pisces Moon and Cancer rising underscore a deeply emotional and sensitive character, which I think can be seen from his young face, and sensed from many of his vocals.

As for an astrological link to Jacques Brel, it can be found in Brel's ascendant - 9 degrees Aquarius, very close to Scott's Mercury/Venus; and in their common Pisces Moon.







Excerpt: (BBC originally banned the song due to these and other lyrics)

My name would then be handsome Jack
And I'd sell boats of opium
Whisky that came from Twickenham
Authentic queers
And phony virgins
If I had banks on every finger
A finger in every country
And every country ruled by me
I'd still know where I'd want to be
Locked up inside my opium den
Surrounded by some china men
I'd sing the song that I sang then
About the time they called me "Jacky"

If I could be for only an hour
If I could be for an hour every day
If I could be for just one little hour
Cute in a stupid ass way


And Scott with another Jacques Brel song, Amsterdam