Showing posts with label colour. Show all posts
Showing posts with label colour. Show all posts

Thursday, October 24, 2019

Various Goings On


The weather here in southern Oklahoma is, at last, after days of temperatures in the 80s, acting in more autumnal fashion. Today it's actually cool to cold outside - 49 degrees, windy with a storm in the offing. The trees haven't yet donned their fall colours, after a few more of these cooler nights, it'll happen.



In other news, a routine blood test on 16 October, to discover how the targeted therapy medications are affecting my blood quality, showed that the white cell count was below desired minimum - same for platelets. Oncologist told me to take a second week off the Ibrance capsules - these are routinely taken for 21 days with 7 days off each month. This time I had 14 days off. Blood test yesterday showed figures had bounced back to an acceptable level, so off I go again with the Ibrance. I'm to have a CT scan next week - to check whether much has changed for good or for ill since my last scans around 6 months ago. Not looking forward to that!



The problems I had in obtaining a refill of my pain medication last month happily did not recur this time. Our usual pharmacy has changed their wholesaler. The medications I take for pain-while-walking now come from a different generic manufacturer. I was worried that these might be even less effective than those I've been taking, but, though it's a little early to be sure, I do suspect that these might be a tad more effective.




Further afield, Brexit bumbles on...and on....and on. When, oh when, oh when will it end? The part of it all that affects me personally is the currency exchange rate, it affects my two pensions coming from the UK. The rate has been volatile for a couple or more years, diving down then up, down again etc, depending on what had been Boris Johnson's or Ms May's latest failed attempts at bringing about a deal.



In the USA the season known as "The Holidays" is almost upon us. I'm glad to be here, still, to see it once again! Hallowe'en decor has been showing up for the past few weeks in front yards - ghosties, ghoulies and long leggedy beasties, spider webs and witches...you know the drill. We now await the Trick or Treaters on 31st of the month. We had very few last year - disappointing, because it's fun to see the imaginative costumes the kids come up with, and the excitement on the faces of the littlest ones. Perhaps the custom is starting to go out of fashion, for one reason or another - safety, perhaps, and many communal organised Hallowe'en costume events. Next up: Thanksgiving on 28 November, followed by You-Know-What-mas, a month later.
Ka-ching...ka-ching!



On the knitting front, I'm using a big skein of pink "ombre" tinted yarn to make another, longer scarf. It's something I can pick up and just knit, without need to refer to a pattern. I love seeing the changing shades of pink appear, apropos of which, I noticed that my husband is reading "The Secret Lives of Colour" by Kassia St Clair. I shall read it too, when he's done with it. Back-cover blurb: "From the scarlet women to imperial purple, from the brown that changed the way battles were fought to the white that protected against the plague, from kelly green to acid yellow, the surprising stories of colour run like a bright thread through our history." Several varieties of pink are investigated, for example: Baker-Miller Pink; Mountbatten Pink, Puce, Fuchsia; Shocking Pink, Fluorescent Pink, and Amaranth. Maybe some of those will appear in my scarf.

Friday, September 21, 2018

Arty Farty Friday ~ Merciless Pursuit of Colour

Two interesting articles, about past methods of creating the colours yellow and blue, have lingered in my bookmarks, awaiting a suitable Arty Farty Friday.

The Murky History of the Colour Yellow, by Kelly Grovier. The full piece, available from the link, contains images of relevant paintings, and tells that:
[SNIPS}
Yellow is the cruellest colour. Long before it came to signify cowardice sometime in the middle of the 19th Century (the later insult “yellow-bellied” is from the Jazz age), yellow was the colour most often reached for by Medieval and Renaissance artists when cloaking the callous betrayer, Judas Iscariot, whose duplicitous kiss singled Christ out for the tortures of crucifixion.

If legend is to be believed, some of the most memorable instances of yellow in art history – from the transcendent shimmers of JMW Turner’s lucent landscapes to the troubled music of Vincent van Gogh’s whorling constellations – are caked in cruelty, said to be fashioned from the sickly urine of malnourished cows.

The waste of wasting beasts that had been force-fed nothing other than mango leaves in the Bengalese city of Monghyr was reputedly caught in terracotta pots and clarified to a syrup over an open flame. Believed to be filtered, dried, and clenched into pigment clumps called ‘piuri’ that were then sold to artists, the chalky spheres were crumbled onto the palettes of every artist from Turner to Van Gogh, who in turn smeared their lurid lemony luminescence across the surfaces of their iconic canvases and into cultural consciousness.

All that glistens is not gold

Allegedly born of abuse, surviving vestiges of so-called 'Indian Yellow' glisten with an obscene poignancy from the walls of museums all around the world. When seen in such unsettling light, masterpieces such as Turner’s The Angel Standing in the Sun (1846) and Van Gogh’s The Starry Night (1889) take on a different sheen, appearing to be steeped in the enduring residue of bygone brutality. No longer merely a metaphor for inner unrest, Van Gogh’s whorling stars, painted a month after the artist admitted himself to the Saint-Paul asylum in Saint-Rémy-de-Provence in May 1889, become gritty and real in their aching yellow glister.
...... the process was finally outlawed in Bengal and its use abandoned in Europe....


The second piece:


"The Bible described it as the perfect, pure blue. And then for nearly 2,000 years, everyone forgot what it looked like"
By Noga Tarnopolsky
Forty-nine times the Bible mentions a perfect, pure blue, a color so magnificent and transcendent that it was all but impossible to describe. Yet, for most of the last 2,000 years, nobody has known exactly what “biblical blue” — called tekhelet in Hebrew — actually looked like or how it could be re-created.
At the time of the Second Temple, which towered above Jerusalem until it was destroyed by the Romans, a blue dye of the same name was used to color the fabric used in the clothing of the high priests. Jewish men are still commanded to use a tekhelet-tinted thread in the knotted fringes of their prayer shawls, though what that might look like remained unclear for years....

A possible clue to the ingredients that combined to make tekhelet came from the Talmud, the canonical body of rabbinic texts, in which a man named Abaye asked an elder “this thread of tekhelet, how do you dye it?” He was told that “the blood of the snail and chemicals” (apparently caustic soda or sodium carbonate) had to be boiled together to create the dye. Knowing that the dunes of Dor Beach, a popular spot on Israel’s northern Mediterranean shore, hid ruins of ancient dyeing vats and unexplained mounds of discarded snail shells, the explorers set off in the mid-1980s to identify the species of sea snail they believed might hold the key to finally revealing what tekhelet looked like.

Dor Beach’s Murex trunculus snails seemed promising, but the purplish ink produced by secretions of their glands ended up dyeing cloth yellow. It fell to Otto Elsner, a chemist at the Shenkar College of Engineering and Design near Tel Aviv, to discover that when the ink extracted from the snails was exposed to the sun, it transformed into “deep sky blue.”

Was it, finally, tekhelet? With a blue similar to that of a flawless sapphire, tekhelet was an arresting hue, and everyone seemed satisfied that the mythic color had finally reappeared......

From earliest human history, from the Levant to North Africa, blue has been considered a lucky color. It is still common to see shutters or rooftops painted bright blue as a protective amulet. One legend has it that as the evil eye descends toward Earth, a flash of sky-blue disorients it, sending it away. The superstition reached Europe, and from there the New World. An 1898 compilation of British customs published in the quarterly journal Folk-Lore explains that the “something old” and “something blue” a bride wears “are devices to baffle the Evil Eye,” without which the malevolent forces would “render her barren.”........

Saturday, January 23, 2016

Weekend Bits & Pieces


Here's a quiz to try: How dark is your personality? - 5 minute test.




Astrology could be said to have a metaphorical link to colour. Colour, I am reliably informed by my husband, has hue (the actual colour), chroma (the intensity or brilliance), shade (greyness from added black ) and tint(added white)...all factors carried forward when any mixing of colours takes place. See?



Netflixing: Recently we've watched Uncanny - very interesting movie about AI (artificial intelligence). There are twists, some more obvious than others. It's the kind of movie where a second viewing is indicated, after searching online for commentary about what was missed.

We re-watched Primer but found it even more confusing than on first viewing. Seeking information on the net just scrambled my brain some more.

We've also binge-watched (13 episodes over a few evenings) the TV series Zoo. Very good story, if scary at times. Premise: the animals of Earth have said "enough is enough" and turn on humans. Why? That's the mystery to be solved. It's cleverly filmed with, inevitably, CGI and is generally well performed by some little known (to us) actors.



Expressions _ Just one look...
(Borrowed from husband's vintage photograph collection, in his "Talking Pictures" album at Flickr - see sidebar link)


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You're gonna regret this.


 




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 Take off my WHAT?


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Then, Nola noticed an interesting odor.




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You think so? Wait'll you see this!




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 Wanna see what I got in my pocket?




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We haf ways to make you talk.




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I gotta quit drinkin'.