Showing posts with label Rubaiyat of Omar Khyyam. Show all posts
Showing posts with label Rubaiyat of Omar Khyyam. Show all posts

Saturday, April 02, 2016

GUEST POST by "JD" ~ Intimations of Immortality






"Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home"

In the hospital where my mother died they had a small prayer/meditation room with one wall decorated (and lit up) to resemble a stained glass window. That extract from Wordsworth was 'engraved' on the wall, it was a reminder that all things must pass away: to be reborn?

You will have heard that tired old cliche that we must "...live each day as if it were your last"

That is a philosophy of despair.

You must live each day as if it were your first! Look at everything and everyone with wonder as if for the first time!






Thank you, JD!

A couple of quatrains from my favourite go-to Persian philosopher (Omar Khayyam). He was in a rather more cynical mood, adding some edge, though not exactly arguing with what JD has written.

But leave the wise to wrangle, and with me
The Quarrel of the Universe let be:
And in some corner of the Hubub coucht,
Make Game of that which makes as much of Thee.


'Tis all a Chequer board of Nights and Days
where Destiny with Men for pieces plays:
Hither and tither moves and mates and slays,
and one by one back in the Closet lays.




JD counters with this though:

If you want to add some verses from the Great Omar that's fine but remember my original idea was to affirm the idea that we are truly immortal which was Wordsworth's view.

The Bhagavad Gita says "the soul is never destroyed when the body is destroyed"-

In a similar fashion that is the message of all the Sufi poets including Omar Khayyam. I have a small book called 'Magic Casements' by Sir George Trevelyan. Wonderful book and I didn't realise the whole book was on-line, so it is worth reading what he has to say about the Rubaiyat, as indicated beneath the quatrains below:

Sir George Trevelyan: At this point I include five verses from that great poem FITZGERALD's: 'Rubaiyat of Omar Khayyam' [Sir GT's comments are beneath each quatrain]. This is usually treated as a wine-bibber's philosophy - 'Let us eat, drink and be merry for tomorrow we die.' It does, apparently, say that death is extinction – but as we have seen, every symbol is Janus-faced. You are free to read it in the way that gives meaning to your life, negatively or the reverse. Thus the poem really is about Life Eternal, the Wine of Life and consciousness. The Cup is the body, and the wine is the life given us by Him who said, 'I am the true Vine.'

Think, in this batter'd Caravanserai
Whose doorways are alternate Night and Day,
How Sultan after Sultan with his pomp
Abode his hour or two, and went his way.


The Caravanserai is our Earth life, with the moon-gate of birth and the sun-gate of death – the new dawn.
Listen to this:

Ah, my Beloved, fill the Cup that clears
Today of past Regrets and future Fears –
Tomorrow? – Why, Tomorrow I may be
Myself with Yesterday's Sev'n Thousand Years.


We must learn to live in the present, not because there is no future but that we have the creation of the future in our own hands, if we can learn to work with our Higher Self.

Ah, fill the Cup, what boots it to repeat
How Time is slipping underneath our feet:
Unborn Tomorrow and dead Yesterday,
Why fret about them if Today be sweet?


One moment in Annihilation's Waste,
One moment, of the Well of Life to taste –
The stars are setting and the Caravan
Starts for the Dawn of Nothing – Oh, make haste!


So easily can the poem look like negation – after death there is nothing. But the Life Eternal belongs to the ethereal realm beyond time, space and form. Thus it is the realm of No Thing, a condition of unborn-ness; a freedom from the limitations of form and embodiment. Life on Earth is 'Annihilation's Waste' – this is the 'Well of Life', the heaviest, densest vibration, which we enter for a brief span of existence. As Dawn comes and the stars set, the caravan starts for that Higher Realm – O make haste! Had the negative interpretation been valid, surely Omar would have urged us to miss this Caravan and have another evening of drinking and merry-making. This gives us the clue to the central verse which superficially appears complete negation and, interpreted, is the great affirmation.

And if the Wine you drink, the Lip you press,
End in the Nothing all things end in – Yes!
Then fancy while thou art, thou art but what
Thou shalt be – Nothing – Thou shalt not be less.


For 'Nothing' read 'No Thing' – a condition of 'pre thing-ness'.

Note that affirmation of 'YES' in the middle of this strange verse, the assurance that as a soul you will not be less than a free spirit united with your Higher Self. So, while here, imagine you are what you will be – a No Thing. Thus you will prepare for the great transition, with Donne – What you will be then, think here before, for Thought is the great reality.

JD: So that will be clear as mud now, will it? :)
I love having my synapses tickled into action and my consciousness expanded!

Friday, December 11, 2015

Arty Farty Friday ~ René Bull

René Bull. I'd never heard of him, but maybe I should have - he illustrated, among other publications, an edition of The Rubáiyát of Omar Khayyám, something I've longtime loved. However, oddly my 2013 post featuring various illustrators of The Rubáiyát didn't mention him. He was just one of many brilliantly talented illustrators working during that same time period.

To see the whole Rubáiyát as illustrated by Bull go HERE then follow the link that says "Browse the rest of it here".


So...who was he?




From here.
René Bull was born in Dublin
on 11 December 1872; his parents weren't Irish, his father was English, his mother French. Bull initially set out studying engineering in Paris, but his innate artistic streak propelled him in other directions. He took drawing lessons from a then famous cartoonist, Emmanuel Poiré (pseudonym Caran d’ Ache).

Having settled in London in 1892 he drew cartoons for various well-known publications. In 1896 he became war artist for The Black and White news magazine, covered campaigns in the Afghan War, the Armenian Massacre and the Greco-Turkish War. He was wounded while covering the Boer War.

Back in England Bull worked as a book illustrator as well as cartoonist. His illustrations for The Arabian Nights (1912), The Rubáiyát of Omar Khayyám (1913) and Gulliver's Travels (1928) being some of his best known. He died in 1942.

For a little more detail and more illustrations see this 2010 post by Gordon Howsden at a blog called Bear Alley.

Examples of his illustrations:










ASTROLOGY

Born 11 December 1872, Dublin, Ireland. Natal chart set for 12 noon as no time of birth is known.


So many harmonious trines in Bull's chart! One might expect him to have led a rather charmed life. If he did there's nothing much online about it. Among the commentary following the article at Bear Alley (linked above) there is a note that "René Bull did marry and was divorced. (Katherine Shields was his wife). An acrimonious split, and even in later census returns he describes himself as "single" rather than "divorced", i.e. as if it never happened." So, in spite of all those harmonious trines it seems he encountered much the same problems as the rest of us!

From his natal chart, in general, I suspect he was an amiable, practical kind of guy, industrious in his chosen calling - making art. That's indicated by the trine from his Sagittarius Sun to creative Neptune. Travel-loving Sagittarius Sun could also be credited for the ease with which Mr Bull was able to illustrate so many scenes from foreign lands, many of which he had, himself, experienced during his work as illustrator in war zones.

His practical nature shows through Mercury, Saturn and Venus in Capricorn, with Moon somewhere in Taurus, Jupiter in Virgo - all Earth signs. He had no planet in a Water sign, which reflects a nature led strongly by practicality rather than emotionality - though the sign rising at time of his birth could, possibly, indicate otherwise.

Friday, March 08, 2013

Arty Farty Friday~ Illustrating Omar's Rubaiyat

Last week in an antique store I picked up a boxed volume of The Rubaiyat of Omar Khayyam (Edward Fitzgerald translation) - a longtime favourite of yours truly. It was in fine condition, though box a bit bent and battered. The edition was one illustrated by Willy Pogány's lovely, and rather erotic black and white illustrations. Priced at $50 it was outside my budget for used books. I decided I'd do a little research online to discover whether it's over-priced. Peculiar thing - the book didn't have any publishing date or leaf carrying publisher details. Perhaps there had been a leaflet with it in the presentation box - but it seemed odd, even so. A knock-off, I wondered?
(Hat-tip to THIS blog for illustration, left)

Anyway, in the course of my searches I came across illustrations of the Rubaiyat by many illustrators and began to think.....how good would it be to have a collection, one volume of each? Maybe tattered and torn volumes past their best might be affordable, I shall keep an eagle eye out from now on. I noticed Amazon lists a book (out of stock at present) The Art of Omar Khayyam: Illustrating FitzGerald's Rubaiyat by William Mason and Sandra Mason, on this very topic it costs the princely sum of $85. That'd be outside my budget also.

As for the man himself, ol' Omar - I wrote a post on him and his natal chart in 2007 - LINK to it. Just last evening we watched an old tape of a movie about him - it was fun, but I seriously doubt he looked anything like Cornel Wilde, and most of the plot had to be pure fiction.!

So....the illustrators: 10 of the best, in no particular order with examples of their work:

Willy Pogány 1882-1955
Edmund Dulac 1882-1953
Edmund J Sullivan 1869-1933
Charles Ricketts 1866-1931
John Buckland Wright 1897-1954
Adelaide Hanscom 1875-1931
Elihu Vedder 1836-1923
Gilbert James 1886-1926
Arthur Szyk 1894-1951
David Stone Martin 1913-1992



Willy Pogány






And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honor -- well,
I often wonder what the Vintners buy
One half so precious as the Goods they sell.




Edmund Dulac





AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.




Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly -- and Lo! the Bird is on the Wing.




Edmund J. Sullivan







'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.




Charles Ricketts




John Buckland Wright



A BOOK of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread—and Thou
Beside me singing in the Wilderness—
O, Wilderness were Paradise enow!




Elihu Vedder







Gilbert James


Ah, Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire!
Would not we shatter it to bits - and then
Re-mould it nearer to the Heart's Desire!



Arthur Szyk





For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd—”Gently, Brother, gently, pray!”




Adelaide Hanscom







David Stone Martin


Cannot find any David Stone Martin's illustrations from this version online - shall have to buy the book, I guess!