I had no great expectations of this, yet another in the current glut of "YA" (Young Adult) novels adapted to film. Movie moguls must have found this genre to be a good way of nurturing a new generation audience , possibly spurred on by the success of TV's Twilight series (no relation).
I got to wondering what my generation had, comparable in novel or film form, during our "young adulthood". Was it Little Women, Treasure Island, Gulliver's Travels, Moonfleet and so on? I don't recall going to the movies to see film version of those though. I'd watch anything at all, whether I understood fully what was going on or not. I'd go to the cinema with anyone who'd take me. The first movie I remember seeing, with my parents, maybe at age 6 or 7, was Cover Girl, with Rita Hayworth. Later, when parents were busy with their business, Grandad Scott would take me to the movies once a week, sometimes twice. We'd see all kinds of black and white films, most of which I didn't understand but found always fascinating. That was during childhood, rather than young adulthood though. Once into teen years I saw every musical film available, loved them all! They were my young adult fare.
But I digress.
The Maze Runner, is adapted from James Dashner's book, the first of a trilogy which has since spawned a prequel. I'd read that this film reminded some reviewers of Lord of the Flies. I understand why. The story features a group of teenage males, who find themselves alone in a very strange environment. There are also whispers from Logan's Run and any number of recent YA offerings. I was even reminded too, at times, of The Great Escape. The young guys are trapped within an area known as "The Glade", surrounded by high walls outside of which lies a perilous concrete maze. After sundown the maze is patrolled by nasty murderous entities called "Grievers". The walls into the maze slide open during daylight hours, enabling "runners" to exit and explore, trying to find a safe way out...but out to what?
Why they are there, how they can escape, argument as to whether they even wish to escape, form the basis of the tale.
YA movies centre on adventures involving teens "saving the world", or simply saving themselves, without aid from adults. There's minimal, if any, romance and certainly no heaving naked copulating bodies ten minutes into the film (a blessed relief!) No bad language, maybe a veiled message or two. Plots, which mainly travel well-trodden paths, can be cleverly multi-layered to appeal to adults, as allegory, in the best of YA offerings. I didn't find much to be allegorical in The Maze Runner. Messages? Maybe. I found the story to be considerably less layered, less thoughtful than The Giver for instance, far more comic-bookish. I haven't read anything by James Dashner, but it appears he appeals to his young target audience well enough and doesn't need to include any layering.
I haven't decided whether I'll be making an effort to see sequels, and don't feel any strong urge to read the books. I did enjoy the film. The acting is very good overall; maze scenes are excellent. The movie's closing scenes were, for me, off-key - a bit clumsy and clunky, not up to the quality of the rest of the film. The immediate impression I got, from those last scenes, was that lots of lies are being told. Maybe in the sequel films some allegorical content will grow from that, but I'll not be holding my breath.
An upcoming movie I'm most anxious to see, a real sci-fi story with space ship an' all, is Interstellar, due for release in the USA on 7 November.
