Oscars 2013, 2000, Seth MacFarlane and American Beauty

I'll refrain from commenting much about this year's Oscars, and the TV presentation, and Seth MacFarlane, other than to say it was nice, for once that three nominated movies were ones we'd actually seen already - never happened before, and Argo, was one of 'em, and won Best Picture among other awards. See HERE for post on that film. As for this year's host, Seth MacFarlane, he made the 4 hours-worth of communal back-patting much easier to take. I think Seth has yet to hit his perfect stride in entertainment. Family Guy isn't it, Ted wasn't it. His CD (now among my favourites) is inching a tiny bit nearer. I'm interested to watch how his career progresses, and perhaps evolves.

Regarding Seth MacFarlane's "We saw your boobs" song/skit, the one getting some women riled up - I'll say just this: if women weren't so eager to show their breasts, scarcely covered, in the course of TV and film appearances as a kind of fashion statement to see who can show most skin, I'd have more sympathy for the voices raised on this. I could've done another verse ...."We saw your boobs all but a quarter inch or so on (whatever) show on TV". Y'all get what you have coming gals! Disclaimer: I am not a feminist with a capital F. I unwaveringly support equality of the sexes and equal pay for women. We now are emancipated enough and strong enough to look after ourselves! It'd be a better plan to quit complaining and compose something as counterpoint, eg:"We saw your dingle dangles"

Enough about 2013.

A little time travelling, back to 2000 when the 1999 movie American Beauty (the one with red rose petals all over the place) won "Best Picture" award. As it happens this film came up in an online conversation with blog-buddy "mike" in commentary to an earlier post (here) on the topic of pedophilia and inappropriate sexual attraction. I'd seen the film years ago but had only a very hazy memory of it, so I acquired an old VHS tape and we watched it a couple of nights ago.

You know, I think American Beauty, clever and satirical as it may have been in 1999, hasn't aged all that well. I wasn't bored by it, but I certainly didn't think it was Oscar material in today's terms.

A laundry-list refresher for any other hazy memories. The film was a satirical look at American suburban life of the 1980s and 90s. Dysfunctional parents, obtuse teenage offspring, focus on materialism, a rather unpleasant portrayal of females, clumsy references to homosexuality, a middle-aged man's unsatisfactory relationship with annoying wife leading to his lusting after a teenaged Lolita-type friend of his daughter; an ex-marine overtly homophobic and controlling husband of a quivering silent wife, father of a teenaged, supposedly soulful and arty, drug dealer son......remember?

Characters and situations portrayed now seem like overly stereotypical caricatures. Much too much of everything. I could easily envisage the whole thing as a Monty Python sketch. Perhaps that was the creators' intention? Perhaps that was what life was like in America back then - a Monty Python sketch? I wasn't here, so I don't know. It wasn't like that in my neck of the English woods - that's for sure!

Best part of the movie, for me, was seeing some actors I've enjoyed in other roles since, doing what they did in earlier days: Allison Janney, the wife of the ex-marine in American Beauty came into her own in TV's The West Wing as White House press secretary and later Chief of Staff, C.J. Cregg. Chris Cooper, the ex-marine character, played numerous supporting roles before and since, he always does sterling work; for me he'll forever be remembered as "July Johnson" (in Lonesome Dove). Annette Bening, who I usually admire, rather over-played her part I thought, but she was nominated in Best Actress category, was beaten to it by Hilary Swank. Kevin Spacey, of course, was highlight of American Beauty, took Best Actor Award too. He has appeared in far too few movies recently in my opinion.....I shall now have to go back and find more of his old stuff.




America has moved on since 1999 and American Beauty. 11 September 2001 changed everything.

American Beauty has, in my opinion, lost whatever lustre it must have had to win the Academy Award. The same cannot be said of all Oscar winning movies, some remain timeless and relevant many decades later. Will Argo be one of those I wonder? Lincoln would've been, Les Misérables might have been.....but longevity is probably not a requisite quality a film must have in order to win an Oscar.

Comparing 2000's "Best Picture" winner with 2013's, is there a link of sorts? American Beauty afforded a critical look at an aspect of American life, Argo presents a story which might cause Americans, especially those connected to Hollywood, to feel proud of an achievement. Another nominated movie Zero Dark 30 which we deliberately didn't see, is also I understand, an attempt to present American, or CIA/military achievement in a complimentary light, and to draw feelings of pride. Different flavours, almost opposites in fact, one self-deprecating, t'other self-congratulatory.
Food for thought.

Music Is Better Than Words ~ Seth MacFarlane

I made a discovery from a TV music channel (audio and data only) we have in our otherwise 75% unwatchable cable package. Listening from the kitchen, I was attracted by a rather smooth vocal on one of those beautiful American standards Sinatra excelled in, popped my head around to see whose voice it was. Surprise! Seth MacFarlane! It was a track from his album Music Is Better Than Words, released in the US about a year ago. I got me the album. Although I've had doubts about Seth MacFarlane's often over-raunchy, verging on distasteful, style in other genres (his TV Family Guy etc, series, and the movie Ted), I've always been much impressed by his talent, and thought he could do much "classier" things. He has. I knew, from the episodes of Family Guy we've seen, that he's keen on stage musicals and can sing a bit, I had no idea he's as good as he is.

Here's a link to what I've had to say about Seth MacFarlane before - and his astrology.

The album has had some really bitchy reviews, and some which are so-so. I don't say it's anywhere near the Sinatra level, but as an homage to the styling and feel of those times, it's good. It could be seen as "a vanity piece", but so what? If it's good it's good. The arrangements are super. MacFarlane obviously put a lot of thought and organisation into the production - as he does with all his work. He used a mic which was used by Frank Sinatra, and the album was recorded, with really excellent (even I could tell how good it is) backing orchestration, on analog tape, bringing back that special sound of the early Sinatra era.

My favourite track is Something Good. Seth MacFarlane brings a fresh new shade to the song, which I always thought to be the best from Sound of Music. I hadn't heard it sung by anyone other than Julie Andrews, and only very few times since being dragged, kicking and screaming to see the movie by a boyfriend who was strangely obsessed with Julie. Several other numbers with which I was unfamiliar appear on the CD, from musicals I've not seen, so there's no straight copy-catting of Sinatra or others of that era going on.

Here's his version of Something Good, live in concert ( I like the album version better, but it's not on YouTube):

ted, Seth Macfarlane, Humour

We saw "ted", the movie, this week. Didn't enjoy it. I'd felt sure that Seth Macfarlane would have cranked up his taste meter just a notch or two for the big screen. He hadn't, the opposite in fact. I don't consider myself strait-laced or lacking in appreciation for humour. I'll guffaw with the rest when off-colour jokes are told - in the right way. Seth Macfarlane, the movie's creator isn't a stand-up comedian, of course, he finds other ways to present off-colour, offensive and juvenile lavatory humour. Throughout ted I couldn't help feeling insulted.

Macfarlane has it in him to produce something worlds better than ted. My husband, trying to be kind, thought the movie seemed as though someone had said "better go through it and add some lavatory humour, some in-jokes and bitchiness". Maybe he's right. They have to sell movies or the industry will go belly-up. What is so sad is realising what does sell, and is applauded by so many, these days in the USA.

Ah well!

Back to the thorny topic of humour in general.What's the right way to tell an off-colour joke? That's too difficult to put into words. Billy Connolly can do it. Dave Allen could do it - though he did slip on the edge of acceptable towards the end of his career when he seemed to become all bitter and twisted. Perhaps the key is that "bad" jokes need to be told with some semblance of affection for the human race, life, and its general ridiculousness. I get that from Connolly , used to get it from early Dave Allen. I can't comment on US comedians, other than to say that from the little I've seen of Lenny Bruce, he definitely doesn't get the Twilight seal of approval. He was seemingly filled with hate for people, the world, life in general. That's where my personal boundary line lies, I think. George Carlin was brilliant, he became bitter and cranky, on the edge of hating late in his career, but managed to retain the affection of his audience, myself included, because his jokes continued to tell the truth about matters important to us all. Likewise in the case of Bill Hicks.

Sadly Seth Macfarlane is going the right way to being on the wrong side of my boundary. I realise he'd not care less, and laughs all the way to the bank. In his case though I feel it's such a shame. He's a brilliant voice/accent mimic; his Family Guy, in its early days, was fun - very good without going too far. We stopped watching it later on when it began to feel more hate-filled, bitchy simply unpleasant under the surface "fun"....no doubt chasing ratings and advertisers. It's always money - all the time.

I posted on Seth Macfarlane's natal chart, back in 2009 - here's a copy of that post:

Seth MacFarlane appeared as a guest on Bill Maher's "Real Time" on Friday night. He's an animator, composer, writer, producer, actor and voice actor, best known for creating the animated sitcoms "Family Guy" and "American Dad", for which he also voices many of the characters: Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire and many additional characters.

Multi-talented? I guess so!

We watch "Family Guy" repeats quite often, The series has now come to an end, but repeats go on for ever in the USA. Stewie's Rex-Harrison-type English accent is a hoot. The humor and satire in the episodes often hovers around the border of acceptable and not acceptable, this is just part of its charm. Later seasons of the show seem to get more and more risque, certainly not fare for faint-hearted, strait-laced religiously oriented mortals.






When Seth MacFarlane appeared recently in a TV commercial, for HULU, and lapsed into the Stewie accent, I was completely taken aback. I'd felt convinced that some retired English actor from the West End stage was responsible for Stewie's lines.

Astrologically, I'd been expecting to see versatile Gemini (often a great mimic) featuring strongly in Seth MacFarlane's natal chart. I was wrong - unless Gemini is his rising sign (which can't be established without a time of birth). The chart below is set for 12 noon on his birth date: 26 October, 1973, Kent, Connecticut.





Just as MacFarlane has a surprising combination of talents, this chart has a surprising combination of Yods, aka Fingers of Fate. (A Yod is a planetary configuration made up of two planets in sextile aspect (60*), both linked to another planet via quincunx (150*), forming a sharp arrow-like shape.

Astrologers consider that these formations are reflected in the personality by the characteristics of the sextiled and harmonious planets blending and being channelled through the planet at the apex, via its own characteristics. A complex concept!






There are three Yods in this chart (as shown). That's fairly rare, I'd say. The Yods are themselves linked too, by Neptune forming part of each one.

Saturn/Mars~apex at Neptune = work/career/energy channelled via imagination and creativity.
Neptune/Jupiter ~ apex at Saturn = Imagination/exaggeration channelled via career and work (almost the mirror image of the previous Yod).
Neptune/Pluto ~ apex at Mars = Imagination/Passion/Darkness channelled via enthusiasm and energy.
The planets involved are exactly right for describing what Seth's career has turned out to be.

MacFarlane needed lots of energy and strong work ethic to get his projects off the ground and accepted by a primetime TV channel. These attributes comes via Saturn and Mars in the Yod configurations. His oddball characters are product of his Neptune links with a splash of Jupiter's excess. Pluto's appearance in one Yod, sextiling Neptune reflects the occasional satirical darkness of some of his storylines.


In general, apart from the trio of Yods, He's a Scorpio/Sagittarius type - intense yet with an outgoing enthusiasm for life and fun. I think he looks Sagittarian.


There are close square (90*) aspects in his chart: Sun to Jupiter to Mars, linked by the resulting opposition Sun to Mars which makes up yet another triangular configuration known as the T-Square. In this case the configuration links his core self (Sun) and two other planets in Fixed signs, bringing in an element of stubbornness and determination to add to the tension indicated by a T-square formation. But this formation does provide a special kind of dynamic tension - that which is is so often a pre-requsite for success.

In a lengthy and interesting interview at IGN.com (here) Seth MacFarlane admits that he was stubborn and determined about keeping to his initial vision when Family Guy first came to the TV screen. He was unwilling to delegate much to his team at first, but said that he later eased into trusting his team and loosening the reins. This connects to his Fixed and controlling Scorpio planets easing under the influence of his Mutable Sagittarius planets (Venus and Neptune).

MACFARLANE: When Family Guy started as a series, I was very, very controlling....... out of sheer paranoia, because all of our writers had come off of live-action sitcoms. My first thought was, "Oh God, these people have never written for animation before." And really, by the end of the series, I could not have come to a more opposite viewpoint. It got to the point where you just rely on these people. Really, what I found was that good writers are good writers.

Seth (Family Guy) MacFarlane

Seth MacFarlane appeared as a guest on Bill Maher's "Real Time" on Friday night. He's an animator, composer, writer, producer, actor and voice actor, best known for creating the animated sitcoms "Family Guy" and "American Dad", for which he also voices many of the characters: Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire and many additional characters.

Multi-talented? I guess so!

We watch "Family Guy" repeats quite often, The series has now come to an end, but repeats go on for ever in the USA. Stewie's Rex-Harrison-type English accent is a hoot. The humor and satire in the episodes often hovers around the border of acceptable and not acceptable, this is just part of its charm. Later seasons of the show seem to get more and more risque, certainly not fare for faint-hearted, strait-laced religiously oriented mortals.






When Seth MacFarlane appeared recently in a TV commercial, for HULU, and lapsed into the Stewie accent, I was completely taken aback. I'd felt convinced that some retired English actor from the West End stage was responsible for Stewie's lines.

Astrologically, I'd been expecting to see versatile Gemini (often a great mimic) featuring strongly in Seth MacFarlane's natal chart. I was wrong - unless Gemini is his rising sign (which can't be established without a time of birth). The chart below is set for 12 noon on his birth date: 26 October, 1973, Kent, Connecticut.





Just as MacFarlane has a surprising combination of talents, this chart has a surprising combination of Yods, aka Fingers of Fate. (A Yod is a planetary configuration made up of two planets in sextile aspect (60*), both linked to another planet via quincunx (150*), forming a sharp arrow-like shape.

Astrologers consider that these formations are reflected in the personality by the characteristics of the sextiled and harmonious planets blending and being channelled through the planet at the apex, via its own characteristics. A complex concept!






There are three Yods in this chart (as shown). That's fairly rare, I'd say. The Yods are themselves linked too, by Neptune forming part of each one.

Saturn/Mars~apex at Neptune = work/career/energy channelled via imagination and creativity.
Neptune/Jupiter ~ apex at Saturn = Imagination/exaggeration channelled via career and work (almost the mirror image of the previous Yod).
Neptune/Pluto ~ apex at Mars = Imagination/Passion/Darkness channelled via enthusiasm and energy.
The planets involved are exactly right for describing what Seth's career has turned out to be.

MacFarlane needed lots of energy and strong work ethic to get his projects off the ground and accepted by a primetime TV channel. These attributes comes via Saturn and Mars in the Yod configurations. His oddball characters are product of his Neptune links with a splash of Jupiter's excess. Pluto's appearance in one Yod, sextiling Neptune reflects the occasional satirical darkness of some of his storylines.


In general, apart from the trio of Yods, He's a Scorpio/Sagittarius type - intense yet with an outgoing enthusiasm for life and fun. I think he looks Sagittarian.


There are close square (90*) aspects in his chart: Sun to Jupiter to Mars, linked by the resulting opposition Sun to Mars which makes up yet another triangular configuration known as the T-Square. In this case the configuration links his core self (Sun) and two other planets in Fixed signs, bringing in an element of stubbornness and determination to add to the tension indicated by a T-square formation. But this formation does provide a special kind of dynamic tension - that which is is so often a pre-requsite for success.

In a lengthy and interesting interview at IGN.com (here) Seth MacFarlane admits that he was stubborn and determined about keeping to his initial vision when Family Guy first came to the TV screen. He was unwilling to delegate much to his team at first, but said that he later eased into trusting his team and loosening the reins. This connects to his Fixed and controlling Scorpio planets easing under the influence of his Mutable Sagittarius planets (Venus and Neptune).

MACFARLANE: When Family Guy started as a series, I was very, very controlling....... out of sheer paranoia, because all of our writers had come off of live-action sitcoms. My first thought was, "Oh God, these people have never written for animation before." And really, by the end of the series, I could not have come to a more opposite viewpoint. It got to the point where you just rely on these people. Really, what I found was that good writers are good writers.