I landed on the following 2009 Arty Farty post of mine after wondering whether I'd ever written a post about painter Egon Shiele (his date of birth, 12 June 1890, could make him a possibility for this week). Schiele's name appears in the posts's first sentence, with the observation that his work is "too porny and horny for a family blog". Reading on I saw mention of that famous old LP cover illustration from the Beatles' Sgt. Pepper album. This album has been in the news (again) recently, heralding another re-mastered version of the recording, released for the occasion of the album's 50th anniversary. The newly re-mastered version has been a project of the late Sir George Martin's son, Giles. George Martin was sometimes referred to as "the fifth Beatle", and was producer of most of the group's classic catalogue - and more.
I shall make that flimsy link my excuse for re-running this post.
There's interesting detailed information about the Sgt. Pepper LP cover illustration and its content at THIS LINK.
Richard Lindner
"Who?" you say. So did I, at first.
(Left:"Hit", by Richard Lindner. 1971)
I settled on writing a few lines about Richard Lindner after considering first Egon Schiele (too porny and horny for a family blog), then Lucian Freud (nudes can get so boring), and finally found something of interest in Mr. Lindner's artwork. Investigating examples via Google Image, his style seemed kind of familiar. It had a general "feel" of The Beatles about it - think of those Yellow Submarine images. Lindner's style is reminiscent of much from the early 70s, even though some of his work was painted well outside that time span - perhaps it provided the inspiration for later artists.
My feeling of a link to the Beatles was triumphantly justified when I happened upon some websites showing the famous cover of their Sgt. Pepper album.
Richard Lindner is one of the numerous faces featured there, the cover was said to be a kind of homage to people they admired.....Lindner's face is behind George Harrison - not immediately behind, but the next one up, and below a female face.
Back to the astrology of artist du jour: Richard Lindner. He was born in Hamburg, Germany on 11 November 1901. His family moved to Nuremburg , later Lindberg studied in Munich but at the rise of Hitler and the Nazis he escaped to Paris, then in 1941 traveled to New York, where he worked as illustrator for various glossy magazines. He became an American citizen in 1948. He later taught at the Pratt Institute and Yale University.
His natal chart is set for 12 noon as no time of birth is available.
It's another of those distinctive-looking charts, with all personal planets clustered within just 3 zodiac signs: Scorpio, Sagittarius and Capricorn. Two outer planets Pluto and Neptune lie roughly opposite. Some astrologers class this type of configuration as a fan or bucket pattern, the "odd" planets form the handle. In this case, because the handle planets are outer, slow-movers which relate to whole age groups, I'm not so sure this applies.
What we can say about his personal planets is that though they are clustered close together, they still present a fairly well-balanced picture, element-wise and mode-wise. In a nutshell Lindner's Sun, and Moon (whatever time of birth) in Scorpio indicate an intense character, one with the ability to see through pretense and get to the core of things. A spot of Sagittarian exaggeration from Mars seeps into all of his art - it's his trademark in fact, along with the bright garish colors, as can be seen below. Venus Jupiter and Saturn all in Capricorn reflect a basically practical, rather than whimsical nature - and perhaps the strange flatness of his paintings comes from the Capricorn and Saturn in his nature, both link to limitation and structure. He lets himself go on color and content but limits himself in depth and perspective.
In this quote his art is described as "erotically drawn" (Scorpio) "highly defined", "mechanistic"(Capricorn/Saturn):
HOW IT ALL BEGAN
ROCK, ROCK.
PORTRAIT NUMBER 2
HOMAGE TO A CAT
PILLOW AND ALMOST A CIRCLE
5TH AVENUE
FUN CITY
THE MEETING
TELEPHONE
UNTITLED
MAN WALKING ROOSTER BY A CRESTED MOON
(Left:"Hit", by Richard Lindner. 1971)
I settled on writing a few lines about Richard Lindner after considering first Egon Schiele (too porny and horny for a family blog), then Lucian Freud (nudes can get so boring), and finally found something of interest in Mr. Lindner's artwork. Investigating examples via Google Image, his style seemed kind of familiar. It had a general "feel" of The Beatles about it - think of those Yellow Submarine images. Lindner's style is reminiscent of much from the early 70s, even though some of his work was painted well outside that time span - perhaps it provided the inspiration for later artists.
My feeling of a link to the Beatles was triumphantly justified when I happened upon some websites showing the famous cover of their Sgt. Pepper album.
Richard Lindner is one of the numerous faces featured there, the cover was said to be a kind of homage to people they admired.....Lindner's face is behind George Harrison - not immediately behind, but the next one up, and below a female face.
Back to the astrology of artist du jour: Richard Lindner. He was born in Hamburg, Germany on 11 November 1901. His family moved to Nuremburg , later Lindberg studied in Munich but at the rise of Hitler and the Nazis he escaped to Paris, then in 1941 traveled to New York, where he worked as illustrator for various glossy magazines. He became an American citizen in 1948. He later taught at the Pratt Institute and Yale University.His natal chart is set for 12 noon as no time of birth is available.
It's another of those distinctive-looking charts, with all personal planets clustered within just 3 zodiac signs: Scorpio, Sagittarius and Capricorn. Two outer planets Pluto and Neptune lie roughly opposite. Some astrologers class this type of configuration as a fan or bucket pattern, the "odd" planets form the handle. In this case, because the handle planets are outer, slow-movers which relate to whole age groups, I'm not so sure this applies.
What we can say about his personal planets is that though they are clustered close together, they still present a fairly well-balanced picture, element-wise and mode-wise. In a nutshell Lindner's Sun, and Moon (whatever time of birth) in Scorpio indicate an intense character, one with the ability to see through pretense and get to the core of things. A spot of Sagittarian exaggeration from Mars seeps into all of his art - it's his trademark in fact, along with the bright garish colors, as can be seen below. Venus Jupiter and Saturn all in Capricorn reflect a basically practical, rather than whimsical nature - and perhaps the strange flatness of his paintings comes from the Capricorn and Saturn in his nature, both link to limitation and structure. He lets himself go on color and content but limits himself in depth and perspective.
In this quote his art is described as "erotically drawn" (Scorpio) "highly defined", "mechanistic"(Capricorn/Saturn):
His work has been described by art critics as "mechanistic cubism." Infused with personal imagination, his style has overtones of the "Cabaret-Berlin" culture of the 30's, with flat areas of often garish colors, separated by highly defined edges. His subjects, too, seem to come from that era. His women, archetypal in this respect, are often corseted, erotically drawn in a garish and generic, rather than individuated way. Streetwalkers, continental circus women, and men in uniforms populate the Lindner landscapeRichard Lindner died in 1978.
HOW IT ALL BEGAN
ROCK, ROCK.
PORTRAIT NUMBER 2
HOMAGE TO A CAT
PILLOW AND ALMOST A CIRCLE
5TH AVENUE
FUN CITY
THE MEETING
TELEPHONE
UNTITLED
MAN WALKING ROOSTER BY A CRESTED MOON
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