James Ensor didn't have natal Sun in Pisces, but he did have Neptune, modern ruler of Pisces, slap-bang on his ascendant. He was born on 13 April 1860 at 4:30 am in Ostend, Belgium (data from Astrodatabank AA rating = very reliable). Chart and notes on the astrology follow at the end of this post.
A band called They Might be Giants once wrote a song about this artist:
Meet James Ensor
Belgium's famous painter
Dig him up and shake his hand
Appreciate the man
Before there were junk stores
Before there was junk
He lived with his mother and the torments of Christ
The world was transformed
A crowd gathered round
Pressed against his window so they could be the first
To meet James Ensor
Belgium's famous painter
Raise a glass and sit and stare
Understand the man
He lost all his friends
He didn't need his friends
He lived with his mother and repeated himself
The world has forgotten
The world moved along
The crowd at his window went back to their homes
Meet James Ensor
Meet James Ensor
Belgium's famous painter
Dig him up and shake his hand
Appreciate the man.
I enjoyed a 2009 piece on this artist by Elatia Harris at 3 Quarks Daily - James Ensor: Keepin' It Surreal. Or there's Pariah to Paragon - James Ensor and the Carnivalesque by Bryce Dwyer at University of Tampa's Journal of Art History. Or Wikipedia's page on the artist.
In a nutshell, for the greater part of his life Ensor was not an artist embraced by the elite of late 19th century art world. He was an outsider, made little attempt to change this, remained in the city of his birth, living and working in a studio in the home of his parents. He did come to be accepted later in life, but from what I've read, such public acceptance seemed to mark a decrease in, or complete loss of, the sharp insights in that strange style which eventually brought him recognition. Perhaps he had thrived on, and revelled in simply being an outsider, but once his work became widely accepted something within him retreated.
His earliest work was fairly mainline, fairly unremarkable, then his paintings seemed to veer into a kind of raging madness, and his style stayed somewhere out there where the buses didn't run. His paintings are filled with masks and skeletons, or unpleasant images. I understand these were depressing commentaries on the human condition as he saw it from the vantage point of his hometown, Ostend, a city on the North Sea coast of Belgium. Belgian history, and maybe his own mortality must have conjured such morbid visions. Human bones were regularly uncovered in Ostend, residue of the carnage there during seventeenth-century warfare; Ensor possibly retained memories of their exhumation. His 1888 etching (below) of himself as a skeleton, reclining in slippers bears the title My Portrait in 1960.
A few more examples of his work.........
Ensor seemed to enjoy painting self portraits -19th century version of a "selfie" I suppose - three of these follow:
With regard to his art style, Neptune in Pisces on the ascendant and Uranus conjunct Venus in Gemini is really all there is to say!
His dream or nightmare-like scenes, masks, illusions (Pisces Neptune), off-the-wall subject matter (Uranus) in his art (Venus) - the most unpleasant of which I have not posted. For example there's a painting Doctrinal Nourishment [Alimentation Doctrinaire], a provocative send-up of authoritarian hubris that lampoons the Belgian ruling classes as bloated, self-satisfied tyrants, sitting, bare-bottomed, on a high wall and emptying their bowels into the awaiting mouths of a ravenous crowd. Created in 1889, this print critiqued the unstable socio-political climate aggravated and perpetuated by the oppressive policies of King Leopold II. (See HERE)
Ensor's apparent need to stay on the outside of the art world's bubble, to be different, to appear eccentric clearly relates to Uranus conjunct Venus.
A band called They Might be Giants once wrote a song about this artist:
Meet James Ensor
Belgium's famous painter
Dig him up and shake his hand
Appreciate the man
Before there were junk stores
Before there was junk
He lived with his mother and the torments of Christ
The world was transformed
A crowd gathered round
Pressed against his window so they could be the first
To meet James Ensor
Belgium's famous painter
Raise a glass and sit and stare
Understand the man
He lost all his friends
He didn't need his friends
He lived with his mother and repeated himself
The world has forgotten
The world moved along
The crowd at his window went back to their homes
Meet James Ensor
Meet James Ensor
Belgium's famous painter
Dig him up and shake his hand
Appreciate the man.
I enjoyed a 2009 piece on this artist by Elatia Harris at 3 Quarks Daily - James Ensor: Keepin' It Surreal. Or there's Pariah to Paragon - James Ensor and the Carnivalesque by Bryce Dwyer at University of Tampa's Journal of Art History. Or Wikipedia's page on the artist.
In a nutshell, for the greater part of his life Ensor was not an artist embraced by the elite of late 19th century art world. He was an outsider, made little attempt to change this, remained in the city of his birth, living and working in a studio in the home of his parents. He did come to be accepted later in life, but from what I've read, such public acceptance seemed to mark a decrease in, or complete loss of, the sharp insights in that strange style which eventually brought him recognition. Perhaps he had thrived on, and revelled in simply being an outsider, but once his work became widely accepted something within him retreated.
His earliest work was fairly mainline, fairly unremarkable, then his paintings seemed to veer into a kind of raging madness, and his style stayed somewhere out there where the buses didn't run. His paintings are filled with masks and skeletons, or unpleasant images. I understand these were depressing commentaries on the human condition as he saw it from the vantage point of his hometown, Ostend, a city on the North Sea coast of Belgium. Belgian history, and maybe his own mortality must have conjured such morbid visions. Human bones were regularly uncovered in Ostend, residue of the carnage there during seventeenth-century warfare; Ensor possibly retained memories of their exhumation. His 1888 etching (below) of himself as a skeleton, reclining in slippers bears the title My Portrait in 1960.
A few more examples of his work.........
Christ's Entry into Brussels in 1889 |
The Frightful Musicians |
Skeletons Fighting Over a Pickled Herring |
Ensor seemed to enjoy painting self portraits -19th century version of a "selfie" I suppose - three of these follow:
Self Portrait with Flowered Hat |
Detail from Self Portrait with Masks |
Ensor at the Harmonium |
With regard to his art style, Neptune in Pisces on the ascendant and Uranus conjunct Venus in Gemini is really all there is to say!
His dream or nightmare-like scenes, masks, illusions (Pisces Neptune), off-the-wall subject matter (Uranus) in his art (Venus) - the most unpleasant of which I have not posted. For example there's a painting Doctrinal Nourishment [Alimentation Doctrinaire], a provocative send-up of authoritarian hubris that lampoons the Belgian ruling classes as bloated, self-satisfied tyrants, sitting, bare-bottomed, on a high wall and emptying their bowels into the awaiting mouths of a ravenous crowd. Created in 1889, this print critiqued the unstable socio-political climate aggravated and perpetuated by the oppressive policies of King Leopold II. (See HERE)
Ensor's apparent need to stay on the outside of the art world's bubble, to be different, to appear eccentric clearly relates to Uranus conjunct Venus.
“Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring.”
~ James Ensor, "James Ensor"