Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Friday, January 18, 2019

Arty Farty Friday ~ Bits & Pieces


Book Lover Arranges Her Huge Library of Novels Into Imaginative Scenes

piece by Emma Taggart, arty fartiness by Elizabeth Sagan.
All book lovers will know that a great story can spark your imagination and transport you to another world. However, rather than keep each fictional story in the confines of their pages, self-described “bookstagrammer” Elizabeth Sagan pays homage to her love of literature by arranging her huge collection into imaginative book art displays.





Question at Quora some months ago:
Norman Rockwell had paintings about the First Amendment. Is there any artwork about the Second?

A reminder of Norman Rockwell's painting "Freedom of Speech"



And this was Frank Langben's jocular answer to the question:







Your pictures on the theme of 'inspiration'

"Each week, we publish a gallery of readers' pictures on a set theme."







A couple of my own, silly, captions for artwork by Modigliani and Mucha respectively:





Friday, November 30, 2018

Arty Farty Friday ~ Gordon Parks, Photographer, Renaissance Man.

[Gordon] "Parks was a man of many pursuits — photographer, novelist, poet, memoirist, filmmaker, composer. But he is most remembered as a photographer. And while some of his images live on because they delight the eye with their beauty, others endure because of the way that they touched the hearts and minds of millions of LIFE’s readers and changed, if only just a little, the course of American history."



Above paragraph comes from
How Gordon Parks' Photographs Implored White America to See Black Humanity
~ John Edwin Mason, 2016.


Gordon Parks was born in Fort Scott, Kansas, son of Sarah and Jackson Parks, a tenant farmer, on Nov. 30, 1912 in Fort Scott, Kansas. He was the youngest of fifteen children. He attended a segregated elementary school. The town was too small to afford a separate high school that would facilitate segregation of the secondary school, but blacks were not allowed to play sports or attend school social activities, and they were discouraged from developing any aspirations for higher education. Parks related in a documentary on his life that his teacher told him that his desire to go to college would be a waste of money.

When Parks was eleven years old, three white boys threw him into the Marmaton River, knowing he couldn't swim. He had the presence of mind to duck underwater so they wouldn't see him make it to land. His mother died when he was fourteen. He spent his last night at the family home sleeping beside his mother's coffin, seeking not only solace, but a way to face his own fear of death. Soon after, he was sent to St. Paul, Minnesota, to live with a sister and her husband. He and his uncle argued frequently and Parks was finally turned out onto the street to fend for himself at age 15. Struggling to survive, he worked in brothels, and as a singer, piano player, bus boy, traveling waiter, and semi-pro basketball player. In 1929, he briefly worked in a gentlemen's club, the Minnesota Club. There he not only observed the trappings of success, but was able to read many books from the club library. When the Wall Street Crash of 1929 brought an end to the club, he jumped a train to Chicago, where he managed to land a job in a flophouse.

Parks purchased his first camera at the age of 25 after viewing photographs of migrant workers in a magazine. His early fashion photographs caught the attention of Marva Louis, wife of the boxing champion Joe Louis, who encouraged Parks to move to a larger city. Parks and his wife, Sally, relocated to Chicago in 1940. He began to explore subjects beyond portraits and fashion photographs in Chicago. He became interested in the low-income black neighborhoods of Chicago's South Side. In 1941, Parks won a photography fellowship with the Farm Security Administration for his images of the inner city. He created some of his most enduring photographs during this fellowship, including "American Gothic, Washington, D.C.," picturing a member of the FSA cleaning crew in front of an American flag.

After the FSA disbanded, Parks continued to take photographs for the Office of War Information and the Standard Oil Photography Project. He also became a freelance photographer for Vogue. Parks worked for Vogue for a number of years, developing a distinctive style that emphasized the look of models and garments in motion, rather than in static poses.

In 1948 Parks became a staff photographer for Life magazine, the first African American to hold that position. He remained with the magazine until 1972, became known for his portrayals of ghetto life, black nationalists, and the civil rights movement. A photo-essay about a child from a Brazilian slum was expanded into a television documentary (1962) and a book with poetry (1978), both titled Flavio. Parks also was noted for his intimate portraits of such public figures as Ingrid Bergman, Barbra Streisand, Gloria Vanderbilt, and Muhammad Ali.

I'm wary of getting into hot water via copyright rules, so have not included a string of Gordon Parks' photographs - there are several in large format at this link:
Photos of Harlem in 1943 by the iconic photographer Gordon Parks …

Also, do go to Google Image for numerous examples of the work of Gordon Parks.

I hope I'll be allowed to include just one - I particularly like this, titled
"No Known Restrictions: Anacostia Boys". (1942) (Anacostia, Washington D.C. - a Frederick Douglass housing project).



Parks’s works of fiction include The Learning Tree (1963), a coming-of-age novel about a black adolescent in Kansas in the 1920s. He also wrote forthright autobiographies—A Choice of Weapons (1966), To Smile in Autumn (1979), and Voices in the Mirror (1990). He combined poetry and photography in A Poet and His Camera (1968), Whispers of Intimate Things (1971), In Love (1971), Moments Without Proper Names (1975), and Glimpses Toward Infinity (1996). Other works included Born Black (1971), a collection of essays, the novel Shannon (1981), and Arias in Silence (1994).

In 1968 Parks became the first African American to direct a major motion picture with his film adaptation of The Learning Tree. He also produced the movie and wrote the screenplay and musical score. He next directed Shaft (1971), which centred on a black detective. A major success, it helped give rise to the genre of African American action films known as blaxploitation. A sequel, Shaft’s Big Score, appeared in 1972. Parks later directed the comedy The Super Cops (1974) and the drama Leadbelly (1976) as well as several television films.

Gordon Parks died March 7, 2006, in New York.

Sources
https://www.biography.com/people/gordon-parks-37379

https://en.wikipedia.org/wiki/Gordon_Parks
http://www.gordonparksfoundation.org/artist/biography
https://www.britannica.com/biography/Gordon-Parks

ASTROLOGY

I cannot possibly leave Mr Parks without taking a very brief look at his natal chart! It has to be a 12 noon version as no time of birth is known.

Born 30 November 1912 in Fort Scott, Kansas.


A very strong showing of Sagittarius! Sun, Mars, Mercury and Jupiter all in the sign of The Archer, representing, among other characteristics a philosophical, open-minded, just, optimistic, and generous nature. Likely to be scholarly, inspirational, enthusiastic and expansive. That's just for starters! We cannot be certain of Moon's position without a time of birth. At noon Moon was in the last degrees of Leo, so if he were born later in the day, Moon would have been in early Virgo. I do like Leo Moon for him though. We also can't know Park's rising sign without time of birth. Even without that knowledge, there are several notable aspects and patterns in this well-integrated natal chart. I particularly like the aspects between planets at 00 degrees : Uranus @ 00 Aquarius, Mars @ 00 Sagittarius, Saturn @ 00 Gemini - there's a helpful sextile, a harmonious trine, and a balancing opposition involved there; planets and signs reflecting social concern, dynamism, and a solid work ethic. Planets' placements are forming several astrological patterns too - a Mystic Rectangle, a Yod, a T-square - among others, too many to interpret in this brief rundown.

Friday, April 27, 2018

Arty Farty Friday ~ Films & Photographers

Watching Kodachrome on Netflix earlier this week had me remembering other movies where a photographer, real, fictional or a blend of both played a leading part.

In Kodachrome, a record company executive (played by Jason Sudekis of Saturday Night Live fame) joins his estranged dad (played by Ed Harris), a famous photographer who is dying, on a road trip to Kansas to find the last lab still developing Kodachrome film. The movie pays little attention to the father's actual photographs until the last few minutes of the story. The story centres on a much used theme - a father neglecting family life, concentrating instead on his talents and profession earning, instead of love, bitterness and hostility from his offspring later in life.





Another movie that comes to mind where a photographer plays a leading role is one of my all time favourites: The Bridges of Madison County. It's love story about a photographer on assignment, from National Geographic, to shoot the historic bridges of Madison County, Iowa. He meets a housewife, whose husband and children are away on a trip to the State Fair. Say no more! Oh my - I get a lump in my throat even thinking about some of the movie's last scenes! I've read the novel of the same name by Robert James Waller too, as well as several of his other novels. He's an excellent story teller - there's little wonder that the movie is so memorable. We also took a trip to the covered bridges of Iowa some years ago - my blog post is here.








Fur is more of a faux documentary film, about the imagined career of real-life photographer, Diane Arbus . We saw the film, but no special memories of it come to mind, though I think I had some reservations about it and didn't write a blog post after having seen it. I had written about Ms Arbus herself earlier though - LINK








The only other movie I recall seeing, involving photography as a main theme, rather than a photographer, has a sci-fi or time-warp theme : Time Lapse. Three friends discover a mysterious machine that takes pictures twenty-four hours into the future, and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.




There are several lists online naming a few dozen other movies, fictional, bio-pic or straight documentary style, featuring photographers. Linking here to a straight-forward text-only list.

Friday, April 13, 2018

Arty Farty Friday ~ 2 artists born 13 April, both with "scandalous" reputations.

Glancing down the list of births on 13 April, through the decades, I noticed two artists whose work had been considered by many as scandalous: James Ensor and Pierre Molinier. The two artists were born 40 years apart, Ensor in Belgium in 1860, Molinier in Agen, France, in 1900.

In his final decades, James Ensor was an international celebrity showered with official honors in his native Belgium. But in the 1880s and 1890s, the young Ensor was a scandalous and defiant figure.

This was a period of great social and political unrest in Belgium, and also of incredible cultural ferment. Bursting with mad creativity sparked by the latest developments in the avant-garde, Ensor freely mined artistic sources both high and low, old and new, familiar and exotic, and oscillated unpredictably between painting, drawing, and printmaking. From an advanced mode of naturalism in step with broader European trends, Ensor's art quickly morphed into something so fantastic, bizarre, grotesque, and satirical that even his avant-garde peers had difficulty accepting it. To this day, Ensor's art continues to baffle in its psychological complexity, internal contradictions, and sheer eccentricity.


http://www.getty.edu/art/exhibitions/scandalous_ensor/index.html






An account of French artist Pierre Molinier’s colourful life reads like that of the protagonist in an Oscar Wilde novel. A product of France’s oft-fictionalised fin de siècle degeneration, Molinier defied all societal norms to live a life of hedonistic excess. Both homosexual and a transvestite in an era when both were frowned upon – he asbcribed himself the title of ‘lesbienne’ – Molinier pursued fetishism and the latent eroticism of the subconscious mind to its most extreme degree......................
By 1955 Molinier had begun a fruitful correspondence with André Breton, the founder of Surrealism, who dubbed him 'the magician of erotic art' and decided to include his sensual, and at times violent, works in the International Surrealist Exhibition. This marked the artist’s official induction into the movement, and he soon earned a reputation as an artist who would dare to execute the ideas his reputable contemporaries, who included the likes of Salvador Dalí, only dreamt of.

His investigation into fetishism and depravity, both through painting and photography, steadily gathered momentum, culminating in an extensive series of portraits and self-portraits in which Molinier himself often features as a many-limbed woman, a dominatrix, or a devil. When his dwindling health prompted his death at the age of 76, it was executed with the all the charisma his character would suggest; a great lover of guns, he died from a single self-inflicted gunshot wound.

http://www.anothermag.com/art-photography/8019/the-forbidden-photo-collages-of-pierre-molinier





James Ensor, 13 April 1860, Ostend, Belgium at 4.30AM.


Pierre Molinier, 13 April 1900, Agen, France at 8.00AM.



There aren't many clear similarities. The obvious factor in Ensor's chart, reflecting his rather rebellious and uncompromising style is Venus(planet of the arts) conjunct Uranus (planet of the unexpected and the rebel). In addition Neptune, planet of creativity, dreams and the mysterious was sitting right on his rising degree - if time of birth is correct at Astrodatabank - it has AA rating so is reliable.


In Molinier's case, data from Astrodatabank, also AA rated, look at the chart shape as a start! It's made up of oppositions forming a cross, and involving the important points in a natal chart: the ascendant/descendant, mid-heaven and nadir! Oppositions can signify irreconcilable differences in a personality, or sometimes a kind of balancing act, an effort to reconcile opposites. Molinier had Pluto (eroticism, intensity) sitting close to his Gemini rising degree, with Venus and Neptune in Gemini also - what better "trade mark" for his style? In opposition to the Gemini planets are Uranus and Jupiter, an excess of the unexpected/futuristic, perhaps attempted balancing of the artist's runaway sexual intensity with an excess of the unexpected, using avant garde methods of photography.

Their common Aries Sun position seems secondary!

Friday, January 19, 2018

Arty Farty Friday ~ Cindy Sherman

Happy Birthday, Cindy Sherman! As her birthday this year has fallen on Arty Farty Friday, I'm re-airing a post I wrote about her work in May of 2010.

It was tricky finding a photograph of the real Cindy Sherman, which is odd really, because almost all her best-known photographs feature just....herself. Having studied many pages of her photographs, on-line, I'm left with an impression of her as the Tracy Ullman of photography - or maybe it should be the other way around....Tracy is the Cindy Sherman of comedy? Either way, they both present themselves as caricatures or satirical images of cultural archetypes or stereotypes.

Cindy Sherman, in costume and makeup, portrays images of the female sex in all their glory or ignominy, spotlighting their foibles, conceits and human frailties. A series of black and white photographs in the style of film stills from the 1950s was a feature of her early work. More recently she concentrates on American female stereotypes. Some of her photo-portraits seem, on first sight, overly harsh, bitchy and unnecessarily cruel - but then life's like that! There is underlying social comment here I guess - but without much trace of compassion or empathy.

Before I looked at her birth data and natal chart I was expecting to find evidence of a self-centered personality. After all, her main body of work depicts only herself, albeit in many guises. Perhaps there'll be some close alignment to Sun or Moon by Uranus, planet of the unexpected and weird, or of Neptune representing photography, creativity and illusion.

Cindy Sherman was born on 19 January 1954 in Glen Ridge, New Jersey at 4:27 AM (Astrodatabank).


Sun conjunct Venus in the last degrees of Capricorn conjunct Mercury in first degrees of Aquarius, with Uranus in opposition from Cancer. Here we have weird old Uranus's involvement! Moon in early Leo also opposes Sun/Venus/Mercury. Neptune, planet of photography and illusion is in square aspect to the Sun Capricorn/Aquarius cluster. Both opposition and square aspects are thought to be challenging rather than helpful. Initially this might be thought to be a poor fit here, yet these hard aspects and challenges could well account for the overly harsh treatment Sherman gives to her portraiture. Furthermore, Mars and Saturn in Scorpio (a harsh trio if ever I saw one)could well reflect a lack of compassion I see in her work.

Sun (essence of self)forming an axis with Moon (inner self) represents her seeming need to "use" herself in her work. I'd have expected either Sun or Moon to have been nearer to an angle though. Sun is in 2nd house, the house of earnings and possessions. Her work does command record prices - a Sherman "movie still" sold for $2.1 million (Christie's, 2007). Amazing!

Sagittarius was rising as Sherman was born - no planets close to the ascendant though, but Jupiter in Gemini is on the opposite angle, the descendant, giving it extra significance in her chart and her nature. Jupiter represents exaggeration, Gemini = communication of all types, so her urge to portray exaggerated portraits for public consumption fits this placement well.

“I feel I’m anonymous in my work. When I look at the pictures, I never see myself; they aren’t self-portraits. Sometimes I disappear.”

“I didn’t want to make ‘high’ art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn’t thinking in terms of precious prints or archival quality; I didn’t want the work to seem like a commodity.”

— Cindy Sherman

















Friday, January 12, 2018

Arty Farty Friday ~ Paving the Way for Female Artists in Photography & Sculpture

Frances Benjamin Johnston and Barbara Hepworth, these two women, both born in the first half of January, 39 years and the wide Atlantic apart, became two of the first women to be successful in their chosen fields of art: photography and sculpture respectively.


Frances "Fannie" Benjamin Johnston
(15 January 1864 – 16 May 1952) was an early American female photographer and photojournalist whose career lasted for almost half a century. She is most known for her portraits, images of southern architecture, and various photographic series featuring African Americans and Native Americans at the turn of the 20th century.

Rather than posting too small images of some of F.B. Johnstone's photographs here, I'll leave a link to Monovisions a website with a thread of large format images of her photographs - do go take a look:
Vintage: Everyday Life in the U.S by Frances Benjamin Johnston (1900s-1910s)



Dame Jocelyn Barbara Hepworth DBE
(10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. She was one of the few female artists of her generation to achieve international prominence.

Barbara Hepworth was born in Yorkshire on 10 January, 1903. She lived in Cornwall from 1939.
Hepworth emerged in the late 1920s as a leading member of a new generation of sculptors. Her work became increasingly abstract in the 1930s and, after moving to Cornwall, she began to make sculpture in terms of her experience of landscape. She continued to carve throughout her life, but from 1956 she also made works in bronze which allowed her to produce more and which were better suited to international travel.
(See HERE)

This video (around 3 minutes long) offers a brief overview showing some of Barbara Hepworth's sculptures.





ASTROLOGY

Both charts are set for 12 noon, time of birth isn't known in either case. Moon positions and ascendants will not be accurate, as shown.

I wondered if there would be similarities in the charts of these two pioneering women, other than their shared Capricorn Sun sign. They did not share a Moon sign. Ms Johnston's natal Moon would have almost certainly been in Aries, whatever her time of birth - Aries is the classic sign of a pioneer, as it happens! If she were born quite a bit earlier than noon, Moon would have been close to Neptune, and Neptune relates to photography (among other things). Also in Ms Johnston's chart Sun is in helpful sextile to Jupiter and both planets link via 150 degree aspects to Uranus, planet of all that is modern or unexpected. I like that formation for her - it's known as a "Yod" or Finger of Fate. The Yod links the signs of Capricorn (practicality, business) and Scorpio (passion, determination), directing these to Uranus in Gemini - the classic communications sign; this lady's photo-journalism was pure communication, and the fact that it was by a female photographer in that era was unexpected. Bingo!

Frances Benjamin Johnston, born on 15 January 1864 in Grafton, West Virginia, USA.



There is no obvious similarity between the charts. I'm not surprised to see that Barbara Hepworth's chart had extra emphasis on Capricorn, including the sign's ruler, Saturn. To my mind sculpture - the manipulation of solid matter into art - naturally links to Saturn (solidity, rigidity) and Capricorn the Cardinal Earth sign of the zodiac.

Mercury and Jupiter are in Uranus-ruled Aquarius, adding an unexpected, modernistic tone.
Uranus in Sagittarius sextiles Jupiter in Aquarius - so here's a loose similarity to Frances B. Johnston's chart - the Uranus/Jupiter link.

Moon in Barbara Hepworth's chart, was at 5 Gemini at noon, if she were born in the very early hours, Moon might have been in the last degrees of Taurus - that would put it in harmonious trine to Venus, planet of the arts in Capricorn and would be very apt - but it's speculation only!


Dame Barbara Hepworth, born on 10 January 1903 in Wakefield, Yorkshire, England, UK.