Showing posts with label horses. Show all posts
Showing posts with label horses. Show all posts

Saturday, September 08, 2018

Saturday and Sundry Horse Sense








On Beating Dead Horses

Dakota tribal wisdom says that when you
discover you are riding a dead horse, the best strategy is to dismount.
However, in organizations like large companies, government, hospitals,
school districts, etc. we frequently try other strategies.
These can include the following:

Buying a stronger whip.
Changing riders.
Declaring, "this is the way we've always ridden this horse."
Appointing a committee to study the horse. Arranging to visit other sites to see how they ride dead horses.
Increasing the standards to ride dead horses. Creating a training session to increase riding ability.
Appointing a 'tiger team' to revive the dead horse.
Passing a senior management resolution that the horse is not dead.
Blaming the horse's parents and/or environmental conditions when it was a colt.
Harnessing several dead horses together for increased speed.
Declaring that, "no horse is too dead to beat."
Providing additional funding to improve the horse's performance.
Doing a study to see if outside contractors can ride it cheaper.
Declaring that the horse is "better, faster, and cheaper" dead.
Forming a quality circle to find uses for dead horses.
Revisiting the performance requirements for horses.
Saying this horse was procured with cost as an independent variable.
Promoting the horse to a supervisory position.




Horses and Men in Rain by Carl Sandburg

LET us sit by a hissing steam radiator a winter’s day, gray wind pattering frozen raindrops on the window,
And let us talk about milk wagon drivers and grocery delivery boys.

Let us keep our feet in wool slippers and mix hot punches—and talk about mail carriers and messenger boys slipping along the icy sidewalks.

Let us write of olden, golden days and hunters of the Holy Grail and men called “knights” riding horses in the rain, in the cold frozen rain for ladies they loved.

A roustabout hunched on a coal wagon goes by, icicles drip on his hat rim, sheets of ice wrapping the hunks of coal, the caravanserai a gray blur in slant of rain.

Let us nudge the steam radiator with our wool slippers and write poems of Launcelot, the hero, and Roland, the hero, and all the olden golden men who rode horses in the rain.



“There is a lot of folklore about equestrian statues, especially the ones with riders on them. There is said to be a code in the number and placement of the horse's hooves: If one of the horse's hooves is in the air, the rider was wounded in battle; two legs in the air means that the rider was killed in battle; three legs in the air indicates that the rider got lost on the way to the battle; and four legs in the air means that the sculptor was very, very clever. Five legs in the air means that there's probably at least one other horse standing behind the horse you're looking at; and the rider lying on the ground with his horse lying on top of him with all four legs in the air means that the rider was either a very incompetent horseman or owned a very bad-tempered horse.”

― Terry Pratchett, I Shall Wear Midnight





 Neptune's Horses by Walter Crane















Horse sense is the thing a horse has which keeps it from betting on people.
~W.C. Fields




It was none the less a perfectly ordinary horse, such as convergent evolution has produced in many of the places that life is to be found. They have always understood a great deal more than they let on. It is difficult to be sat on all day, every day, by some other creature, without forming an opinion about them.

On the other hand, it is perfectly possible to sit all day, every day, on top of another creature and not have the slightest thought about them whatsoever.

― Douglas Adams, Dirk Gently's Holistic Detective Agency




Why did this animal that had prospered so in the Colorado desert leave his amiable homeland for Siberia? There is no answer. We know that when the horse negotiated the land bridge... he found on the other end an opportunity for varied development that is one of the bright aspects of animal history. He wandered into France and became the mighty Percheron, and into Arabia, where he developed into a lovely poem of a horse, and into Africa where he became the brilliant zebra, and into Scotland, where he bred selectively to form the massive Clydesdale. He would also journey into Spain, where his very name would become the designation for gentleman, a caballero, a man of the horse. There he would flourish mightily and serve the armies that would conquer much of the known world.
~James Michener



Wednesday, December 18, 2013

A Horse, a Horse.....

 A relief of Epona,  from Roman Macedonia.
Horses. Today, December 18, second day of Saturnalia in ancient Rome, marked also the feast of Eponalia dedicated to Epona. Epona, originally a Celtic and Gaulish goddess, was patron deity of horses, and the whole equine family: donkeys, mules, ponies. Those working with these animals also came under Epona's protection. Worship of Epona was widespread across Europe and Roman Britain. As well as a holiday and festival in her honour, a temple in Rome was dedicated to her and shrines to Epona were commonly found in stables.

Epona's Celtic/Gaulish origins are understandable. Ancestors of the Gauls of Northern France and of the Celts came from nomadic tribes who spread from the East throughout Europe. Horses, for them, were of prime value in facilitating travel. Later, in ancient Rome, the horse in war - one of Rome's favourite pastimes - became priceless. Even later, and for centuries on, horses became a natural dynamo of agriculture. So, a means of transportation, a symbol of wealth and power, a part of religion, and a necessity in war and in agriculture - no wonder horses were eligible for their own goddess!

The Greeks, never shy of inventing a good story, had a tale about the birth of Epona. A Greek writer, Agesilaos, came up with this: Epona was the daughter of a man named Phoulonios Stellos, who, not interested in women, mated with a mare. That mare gave birth to a human-shaped daughter, Epona.

Though I've never had much to do with horses myself, I do enjoy looking at 'em - I have a small collection of horse sculptures. Maybe a little of the ancient horse worship is in my genes. My two maternal great-grandfathers worked with horses as both grooms and carters, a discovery made while researching my family's history.

So...Hail to Epona then!

Here are a couple of my horses, and a painting by my husband:




See also epona.net

Thursday, October 28, 2010

HORSE CHAT

I was beginning to suspect that 2010 must be the Year of the Horse in Chinese astrology, about which I know little to nothing. As it happens, it isn't - it's the Year of the Tiger. Never mind!

The movie Secretariat - tale about a real-life wonder racehorse is doing the rounds in the USA just now. A couple of days after seeing that movie we noticed, on offer on TV, a 1979 movie The Black Stallion, adapted from a novel by Walter Farley. In this film, after many adventures the leading character takes part in a climactic scene, a horse race, very similar to that in Secretariat. Then, several days later we watched our weekly dose of Mentalist (Simon Baker - very drool-worthy) and we were presented with...well whaddya know....an episode about horses with a big race as its climax! Some coordination between the powers-that-be in movies and TV had gone on there I'd wager - a way of whetting appetites!

On a day trip a few weeks ago, before Secretariat and The Black Stallion and the Mentalist episode, I had spied, in an antique store, a large and lovely decorative horsehead, carved in wood and embellished in brass and copper. The store was having a discount sale (aren't stores always having discount sales?) This item had been marked down three times and was on sale at less than half its original price. I noticed he was looking at me with a mournful eye - that puppy-in-pet-shop look . I just had to have him. Later, after seeing Secretariat, I have decided to give my horse a name : Proletariat.

As I bought and named Proletariat when Sun was in Libra, that can act as his Sun sign. There's a fun article, Astrology for Horses by Kim Hann-Devries, HERE. I find that:

The Venusian influence upon the physique of the Libra-sun horse is evident in its natural beauty, balance and poise. (Well I think he's very beautiful!) This horse is also innately outgoing and charming. More than anything, this horse wants to be popular ....Your Libra-sun horse will go out of its way to please you and accommodate all your wishes (Really - really - like a magic lamp?) so it is important that you appreciate this, and treat it fairly and justly.....
Proletariat from both sides, as he guards our entrance.




Sunday, November 08, 2009

Sunday Supplement ~ Horses, Wild & Others. (No astrology)

Following yesterday's post about Susan Boyle I got to thinking about the song "Wild Horses", her new single release. The song Mick Jagger and Keith Richards wrote back in the 1970s has a new sound for 2009. I've never been a fan of The Rolling Stones, so this song was new to me.

Rolling Stones version here.


Susan Boyle's version here.




Childhood living is easy to do
The things you wanted I bought them for you
Graceless lady you know who I am
You know I can't let you slide through my hands
Wild horses, couldn't drag me away
Wild wild horses couldn't drag me away

I watched you suffer a dull aching pain
Now you decided to show me the same
No sweeping exits or off stage lines
Could make me feel bitter or treat you unkind
Wild horses, couldn't drag me away
Wild wild horses couldn't drag me away

I know I've dreamed you a sin and a lie
I have my freedom but I don't have much time
Faith has been broken tears must be cried
Let's do some living, after we'll die
Wild horses, couldn't drag me away
Wild wild horses we'll ride them someday

Good lyrics linked to a distinctive melody - a song adaptable to a variety of treatments. There are other interpretations of "Wild Horses" - Wikipedia lists more than 20 of 'em. The Stones' version and Susan's are at extreme ends of a scale - rock and ragged at one end.....poignant and smooth at the other, from the same basic material. Proof of a good song, in the hands of good arrangers.

I think Susan Boyle was very well advised to sing this. Maybe it was her own choice, but somehow I doubt that she was ever into The Stones in her youth. The song has a bit of gravitas, famous pedigree, yet still sounds fresh in her interpretation. She gives the song, and herself, new life.



Thoughts of horses remind me that we have a couple Chez Twilight. This one a junk store bargain, acquired for very few dollars. It's not great art, but well-framed and the whimsical feel of it appealed to me. It's interestingly textured, nice background colour, and fills a big blank space in our bedroom rather well.



This one was painted by himself. It was lying around, part-finshed, in the garage for years, then suddenly he got the urge to paint again. The other day I decided we ought to give it a home in the hallway. It was drawn from a miniature model of an antique Chinese horse sculpture, and was going to be part of a trio of horsey paintings along with a carousel horse, and a rocking horse. The trio idea got lost somewhere along the way.