Showing posts with label post-apocalyptic novels. Show all posts
Showing posts with label post-apocalyptic novels. Show all posts

Saturday, December 08, 2012

Variations on a Theme: Mankind's Further Evolution

I've recently read Arthur C. Clarke's Childhood's End followed immediately by Michael Shaara's The Herald (Michael Shaara was the Pulitzer Prize winning author of The Killer Angels adapted for the movie Gettysburg (my post on that movie is linked).

Childhood's End and The Herald can be classed as apocalyptic/dystopian/science fiction novels. Science fiction was right in Arthur C. Clarke's wheelhouse, and though Michael Shaara's most famous book was historical (other end of the scale) he did write some other sci-fi stories and at least one other sci-fi novel - strange combination, history and science fiction!

I enjoy apocalyptic/dystopian novels and some sci-fi, though not all. Enjoying tales of dystopia is perverse of me I guess. I've tried to work out why, but can't quite unravel it. These stories don't scare me at all, or give me bad dreams as reading horror tales of zombies, werewolves or blood-sucking vampires might. The novels sell well, many from decades past have come to be called classics (think:Fahrenheit 451, 1984 The Handmaid's Tale).

I wasn't aware of it when I started reading, but Childhood's End and The Herald have loosely similar themes (apart from straightforward dystopia) : the improvement and further evolution of man, albeit by different means.

BEWARE SPOILERS.

The Herald (1981) was later re-titled The Noah Conspiracy and had a revised ending (I don't yet know how it differs from the original, but can hazard a guess). Storyline: a scientist plans to create an improved version of the human race, which will involve killing millions of people. The tale unfolds gradually, starting with the pilot of a private aircraft flying into a small US airport and finding it deserted. The reader is left, for much of the book, with the pilot attempting to find out exactly what's going on. We discover, eventually, a genetic scientist’s plan to create a "better" human race, eliminating negative traits which threaten, over time, to cause the death of the whole species. His plan will involve the mass killing of many millions of people, but will ensure survival of the race.

I found the novel a very easy read and a book I could not put down. I read most of it in one sitting (unusual for me), only stopped because it was dinner time.

The original title of the novel The Herald refers to words of
Friedrich Nietzsche, German philosopher, poet etc. An extract from his Thus Spoke Zarathustra by explanation:

Zarathustra’s Prologue:
When Zarathustra arrived at the edge of the forest, he came upon a town. Many people had gathered there in the marketplace to see a tightrope walker who had promised a performance. The crowd, believing that Zarathustra was the ringmaster come to introduce the tightrope walker, gathered around to listen. And Zarathustra spoke to the people:

I teach you the Overman! Mankind is something to be overcome. What have you done to overcome mankind?

All beings so far have created something beyond themselves. Do you want to be the ebb of that great tide, and revert back to the beast rather than overcome mankind? What is the ape to a man? A laughing-stock, a thing of shame. And just so shall a man be to the Overman: a laughing-stock, a thing of shame. You have evolved from worm to man, but much within you is still worm. Once you were apes, yet even now man is more of an ape than any of the apes.

Even the wisest among you is only a confusion and hybrid of plant and phantom. But do I ask you to become phantoms or plants?

Behold, I teach you the Overman! The Overman is the meaning of the earth. Let your will say: The Overman shall be the meaning of the earth! I beg of you my brothers, remain true to the earth, and believe not those who speak to you of otherworldly hopes! Poisoners are they, whether they know it or not. Despisers of life are they, decaying ones and poisoned ones themselves, of whom the earth is weary: so away with them! ........................................
Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the Overman!"


Childhood's End first published in 1953 wasn't such an easy read, but still enjoyable. I balked a bit when the author changed his cast of characters a third of the way through the novel.

The story is told in three parts, spanning the period roughly mid-20th century to 2075. The author could have been echoing or projecting, via analogy, the troubled situation around the time of the story's conception: cold war, segregation, possibility of nuclear annihilation, uneasy years when the horrors of World War 2 were still fresh in memory.

Standard sci-fi ingredients begin the novel: huge space ships positioned over the world's major cities, ships populated by a race known as The Overlords, who never show themselves to humans, but communicate with human representatives. The Overlords were not here to take over the planet for our gold or other reserves, or to enslave the human race. Instead they seemed to be intent on saving us from ourselves. Over time they solve our major troubles: war, famine, segregation, crime and poverty become things of the past. Any resistance is quashed by direct application of CIA-style "soft power". Utopia is born. Whether that was a Good Thing is a matter for philosophical perusal - maybe a bit of astrological perusal also. Would it be possible to erase our natural instincts of aggression, greed, lust (drawn from the planetary position of Earth)? And would it be A Good Thing to deny us the ability to choose for ourselves, to choose wrong decisions, create destructive items, wreak havoc, jump to mistaken conclusions, but also to attempt to create solutions to overcome what our weaknesses had wrought?


We begin to see the outcome in the remaining two phases of the story, set in the following 100 or so years. The Overlords revealed themselves. Humans were horrified to find the alien beings looked incredibly like illustrations encountered somewhere long ago, in a far less benign role! They tell humans that their purpose is to protect them from "powers and forces that lie among the stars – forces beyond anything that you can ever imagine…. ‘It is a bitter thought, but you must face it. The planets you may one day possess. But the stars are not for man."

During the story's final phase, ten years later, Earth's children discover paranormal skills, fall into catatonia after strange dreams, and eventually withdraw from contact with parents. Overlords reveal that their job as servants of The Overmind, is to shepherd humanity into its next stage of development, though The Overlords, for unexplained reasons, cannot progress. Humanity in its current form has reached the end of its existence; the newly cultivated species will join The Overmind, Earth will be no more.

I was particularly taken by a very clever twist - the explanation of the Overlord's physical appearance.

The book can be read as a straightforward sci-fi tale, or can also be seen as a network of analogies, some more obvious than others, and, it must be remembered, seen from the viewpoint of the author in the early 1950s.

The huge spaceships forever hovering over all major cities = a world state fostering social justice. Add some prescience on the part of Arthur C. Clarke and translate them as super-sized corporations, enforcing sterility via their own opaque motivations. Interwoven, too is the ancient vision of of angels/demons hovering over mankind.

Astrologers believe that our individuality is defined, in part, by the position of the Sun, Moon and planets at the exact time and in the exact place where we were born. Whether that individuality could be so easily stripped from us, as a race, by benign means, is something this book might be asking us to consider. What did Arthur C. Clarke think of astrology? Not a lot, it seems. And that's a pity. See HERE

As far as I know, early sci-fi authors, while envisioning flying cars, alien beings and inter-galactic flight, didn't ever mention something as wildly unbelievable as The Internet, smart phones, i-pods, Facebook, Twitter. Already I'm beginning to feel that today's young generation belong to a subtly different race from the one to which I belong myself. This type of feeling can only spread, even to those many years my junior, in coming years. Perhaps this is the "shift in consciousness" some seem to expect....beginning with the end of the current cycle in the Mayan calendar?

Saturday, May 21, 2011

CARELESS RAPTURE & EARTH ABIDES

Well guys and gals, it's here. Are y'all feelin' it yet? The Rapture. A thought crosses my mind as I wait - "I hope that God is as kind a judge as American Idol's J-Lo and Steven Tyler, then whatever my list of sins and indiscretions, he'll declare me "beautiful - you gave me goosebumps!"



Today seems a timely date on which to post about a good book I read recently. It deals with what might follow any Rapture-related purge.


I'm a picky reader, didn't used to be when younger, but these days if I don't immediately feel some kind of resonance with the author, his writing style, the storyline, where the story is set, or some other element - I can't be bothered. Life's too short!

I don't recall what led me to seek out Earth Abides, by George R. Stewart first published in 1949. Someone, somewhere online, must have mentioned it and perked my curiosity. I found a used paperback copy at e-bay, it had me by page three!

It's a post apocalyptic novel, written in the mid-20th century and presents the reader with a rather different perspective from books of the same genre written more recently. The novel is said to have been the inspiration for Stephen King's The Stand. I haven't read The Stand, but have seen DVDs of the TV miniseries. I much prefer the style and general flavour of Earth Abides.

I'll not go into detail about the beautifully written storyline in case others might be curious and decide to read it for themselves. It's the drawing of fine detail, issues other novelists deem too minor, which separates this novel from others in the same genre. I knew only this much before reading the novel: it's set in California, Berkeley area, mid-20th century. A worldwide epidemic (pandemic in 21st century jargon) of some kind has swept across the USA leaving the country practically devoid of human life. A university student, William Isherwood, known to the reader as Ish throughout the novel, is in the mountains, recovering from days in a stupor, having been bitten by a rattlesnake. He staggers out of a cave into the sunlight and begins his hike back to the city where he lives with his parents, unaware of what he will find........ (That's all I knew about the novel before reading it).

The draw to post apocalytic stories has always been strong for me. Dystopian novels such as 1984 and Fahrenheit 451 though fascinating are downright depressing. Post apocalyptic takes us past that, and through challenging hard times, but with a distinctly cleansed feeling about scenarios described. An original British TV series from the mid 1970s, Survivors, written by Terry Nation, had some of the best, detailed, post-apocalyptic storylines I know of. Earth Abides has a similar "feel" to Survivors; I'd be surprised if Terry Nation, as well as Stephen King hadn't drawn inspiration from George R. Stewart's novel.

Post apocalyptic novels, with their rather odd magnetism, must rely greatly upon the personality, and experience of their authors as to the general direction in which the plot develops, and how the novel eventually draws to a close. I've read novels in this genre with extremely depressing - though inevitable - endings. And some with endings left wide open for readers to supply their own conclusions. Then there are some which end with an eternally obtuse optimism. I'm not giving away into which category Earth Abides falls....others might see it differently from me anyway.

There's a passing mention of astrology in Earth Abides - page 294 -
The stars in their courses! No, he did not believe in astrology, and yet the shifting of the stars showed that the solar system too, was changing, and that the earth itself was becoming a more or less habitable place for man. Thus, at some profounder depth of reality, astrology might be right, and the changes in the sky could be taken as symbol of all the grinding wheel of circumstance. The stars in their courses! What was man, little man, to withstand them?
George R. Stewart was born in Sewickley, Pennsylvania on 31 May 1895, he died in August 1980. He was educated at Princeton, received his Ph.D. in English literature from Columbia in 1922, and joined the English faculty at the University of California, Berkeley, in 1924. He was a sociologist, toponymist, founding member of the American Name Society, and author of more than twenty books.

A 12 noon chart has to suffice as no time of birth is available. Ascending sign isn't correct and Moon's degree isn't reliable, but Moon would have been in Virgo whatever his time of birth.



Sun in Gemini, Moon in Virgo = excellent astro-credentials for a writer. Sun in Gemini with Pluto and Neptune conjoining it adds creativity (Neptune) and a touch of darkness (Pluto).

A cluster of his other most personal planets in Cancer brings undeniable sensitivity and a certain softness of approach into this writer's emotional toolbox - readers of Earth Abides will recognise this sensitivity at once.

Saturn and Uranus, the old and the new were both in Scorpio as Stewart was born. Saturn trines Mercury/Jupiter in Cancer; Uranus trines Mars/Venus in Cancer. Symbolically there could hardly be a better astrological configuration for Earth Abides. The old ways, the new ways, linking and blending. This author was writing exactly to this strengths when he wrote this book - no wonder, then, that it has become a classic of its genre.