Showing posts with label medieval. Show all posts
Showing posts with label medieval. Show all posts

Wednesday, December 05, 2012

FOOLS AROUND

Still on the topic of Fools........for anyone with a hint of "woo" in their soul the first Fool to spring to mind is The Fool of the tarot deck. The Fool card is numbered "0" in the Major Arcana and represents a beginning, innocence, freshness, eagerness, impulsiveness, someone entering life without fear, preconception or prejudice. Nutshell description: the child within. Compare that with keywords for the first zodiac sign, Aries, and you'll find many a match!

Minus "woo", The Fool as we know it is said to have
..... emerged in medieval England in the13thC. The rigid social hierarchies of medieval society relied on these reality maintenance constructs which were closely related to traditional inversionary re-enactments of mis-rule to create a sense of release for and in the population. Although, ultimately the role was meant to re-affirm the hierarchy and strictness of the medeival system. "Fools" became a construct whose unique position in the community's power structure demonstrated the reality of secularized opportunism, relativism, and immoralism. The “fool” wore a subtextual connotation of evil, pretending stupidity, often opposing the figure of the wise or holy man in a culture's structure. In the moral/philosophical dimension, s/he is the negative inversionary counter-point to virtue and wisdom.
Above quote comes from History of Fools

I feel certain, though, that there must have been such figures, perhaps differently named, well beyond 13th century England, in earlier civilisations. What The Fool motif, in general, represents has always been a part of human nature, whether as the innocence of the tarot's version, or as the Trickster, Jester, Joker images which remain familiar to us today.

From a piece All the King's Fools by Suzannah Lipscomb at History Today website, comes a theory that indicates there was present in this medieval custom a dreadful streak of careless cruelty - but we ought to have guessed as much!
The popular myth about court fools and one that some historians have perpetuated is that they were simply clowns aping foolishness for a laugh. Yet my research suggests that many – perhaps all – court fools in the early Tudor period were ‘natural fools’, or what we today would characterise as people with learning disabilities and that explains much about their prominent position.

That court fools were ‘natural fools’ needs a little explaining. In 1616 Nicholas Breton defined a natural fool as one ‘Abortive of wit, where Nature had more power than Reason’. The legal term idiota was interchangeable with ‘natural fools’, who were characterised as incapable or insensible of their actions:........



Image identified by the The British Library: French. Detail of a miniature of King David in prayer, and a Fool, at the beginning of Psalm 52. Attribution: Master of Guillebert de Mets

So, I wonder whether figure of the Court Fool of Tudor times slowly evolved into the Court Jesters, who were not "natural fools" but persons of sharp wit and some wily wisdom?

Shakespeare mentioned Fools often, a list of his Fools is at Wikipedia, here. Best known are : Touchstone in As You Like It(1599), Feste in Twelfth Night,(1600), and the Fool in King Lear(1605); not forgetting Yorick, in Hamlet, the deceased court jester whose skull is exhumed by the gravedigger and evokes a monologue from Prince Hamlet on the effects of death:
Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that were wont to set the table on a roar? (Hamlet, V.i)

And from Twelfth Night

"This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, check at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit."

Thursday, September 02, 2010

Still Aboard That (Zodiacal) Ship of Fools

The term "ship of fools", as an allegory, harks back to medieval times when it was the custom to rid society of "undesirables": the mentally ill and other outcasts, by gathering them into a boat or cart and having them taken away. The origin of the descriptive phrase appears to be a book by Sebastian Brandt, 15th century German humanist and satirist. His allegorical poem/story "Das Narrenschiff" criticises the state of the church, as well as what he saw as the weaknesses and vices of his time. 15th century painter Hieronymus Bosch gave us his version of Ship of Fools, in a painting (shown below). This was originally part of a triptych, a linked 3-panel piece of artwork, other parts also probably relating to aspects of human weakness.

500+ years later we can still relate to humanity as a Ship of Fools....no need to go into detail here, passing readers will recognise the indications.

So then, if this painting presents an allegory of humanity's weaknesses, it must also represent the weaknesses, or shadow sides, of the 12 signs of the zodiac, which together make up human nature. Conveniently, coincidentally (or not), there are 12 figures in Bosch's painting - too good a chance for me to miss!

First a brief explanation of the "props" in the painting. The round object hanging between the central group is a suspended pancake. As a game the characters try to take bites from it. Traditionally all eggs and milk were eaten before lent, but the fools choose to consume them in wasteful luxury. The pitcher upside down on a pole behind a nun, and some stored barrels behind the monk symbolise consumption of alcohol. The trees used as masts are symbols of the tree of life. The figure reaching up to a roasted fowl tied to the tree represents the gluttony of the times. (The idea comes from a medieval custom of attaching a roasted fowl or ham to the top of a greasy pole so peasants could try their skills to retrieve it.) The long banner flag with the crescent moon on it as a representation of Islam. In the tree top, an owl, usually symbol of wisdom, here representing heresy, as a bird that hunts at night - dark and spiritually unenlightened - symbolic of evil and superstition in general.






Here goes then - looking for a representation of weaker sides of the zodiac signs: Some are better representations than others; Bosch didn't consciously have astrology in mind when he painted this!

Aries (Self-seeking, arrogant) - Figure climbing mast to reach the chicken

Taurus (Totalitarian, self-aggrandising) - figure with arm in the air - at the back

Gemini (Lies, unreliable) - figure with mouth open to right of Taurus

Cancer (Self pity, fear) - figure lying down far left

Leo (Irritable & frustrated when not in spotlight) - figure dressed as Fool, sitting alone, at right

Virgo (Judgmental, vengeful) - Nun figure holding jug, to right of Cancer

Libra (Lascivious, indecisive) - Nun figure playing mandolin

Scorpio(Scheming, paranoid) - Monk figure at table

Sagittarius (Silly, greedy, overbearing) -figure directly behind the pancake on a string

Capricorn (Capitalistic, social climber) figure in water with bowl

Aquarius (Trying too hard to be different, poseur) - figure in water on right

Pisces (Addictive, lazy) - figure hanging over side of boat vomiting -at right.

(Alternative interpretations of the figures are very welcome - via comments.)

We're still aboard our 21st century Ship of Fools.